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La Boheme (1926) **UPGRADE – Improved print **

Directed by King Vidor and starring Lillian Gish, John Gilbert, Renee Adoree and Edward Everett Horton, this film has a runtime of 93 mins and the print quality is excellent. The film has English intertitles and Russian? Subtitles.

Plot: It is 1830 in Paris and the rent is due, but the money is not there. An article here, a painting there and a monkey with a cup gives them enough money for the rent, but not for food. Fortunately, Musette from downstairs has enough food for everyone including Mimi - the poor little waif from next door who Rodolphe has met. But Count Paul also has his lusting eye on Mimi and uses her embroidery to get close to her. Rodolphe and Mimi fall in love and Mimi works endlessly to support Rodolphe who is writing his play with a new found passion. He does not know that he has been discharged from writing for 'Dog and Cat Fanciers'. Mimi wants to get his play produced and Count Paul offers to help, but there is a terrible fight when Rodolphe thinks that Mimi is faithless to him with Count Paul. After the fight, he seeks out a doctor as she is sick, but she has left when Rodolphe returns and will stay away until his play is finished.

Review: For those who love silent films, this film needs no introduction. For those who know nothing about them and would like to begin your Silent Classics 101 class or better yet your Lillian Gish 101 class, begin with this. Lillian Gish was a silent screen star who also was a very successful movie star in talking pictures. But her main contributions to film history are her silent pictures. She was also in The Wind, The Scarlet Letter, Broken Blossoms, Orphans of the Storm, and in director D.W. Griffith's The Birth of a Nation, Intolerance, and Way Down East. All of them are essential to a Lillian Gish 101 class.
But begin with La Boheme. It centers around tenants in an apartment building, who are barely scraping by: John Gilbert who is a writer of stories and plays, or at least hopes to be, and Lillian Gish who sews to make money. They can barely make enough to pay for the rent. Gilbert at least has friends with whom he is "poor but happy" with. But Lillian is alone and looks as petite as actresses come. Their lives cross when he takes her in and feeds her out of pity and from thereon he falls in love with her. Miss Gish's dark expressive eyes and fine distinctive features only heighten her performance. She is heartbroken, when she has to give her clothes away and gets very little for them. And throughout the film, she does all she can to help the man she loves.
And the last 15 minutes is unforgettable as she is at death's door, but makes her way through the village, back to John Gilbert, hanging onto the back of trucks and literally dragging herself across the street. If you haven't had a good cry lately, I recommend this and defy anyone to not break down watching this. If you don't, then something is seriously wrong with you. What's amazing also is that Miss Gish was already petite, but she lost even more weight just for her final scenes to be believable. That is not makeup. The crew watching and even John Gilbert thought she was actually dying. But, Miss Gish was that way; she would do all for the sake of her work, as the true artist she was. This is in my opinion her tour de force, and that's saying a lot, as she was always outstanding in everything she ever did.
None of her other films really capture the intensity and sensitivity of her talents as La Boheme does, with the exception of The Wind. Discover Miss Lillian Gish and La Boheme and you may never want to go back to talking pictures….£7.49

 

Labios Sem Beijos aka Virgin Lips (1930) **UPGRADE – Now with English subtitles**

Directed by Humberto Mauro and starring Lelita Rosa, Paolo Morano, Didi Viana and Gina Cavalieri, this film has a runtime of 72 mins and the print quality is good to very good. This Brazilian silent has Portugese intertitles with hardcoded English subtitles.

Plot: Lelita is a wealthy and rebel young woman, who meets the stranger Paulo Morano in a cab, and after an initial resistance, she falls in love with him. Meanwhile, her younger sister Didi tells her that she has an infatuation with a man called Paulo. Lelita believes that Paulo is cheating her with her sister and she breaks with him. Later, she realizes that her sister is dating indeed a homonymous and she committed a mistake with her boyfriend.

Review: This movie is worth seeing if only to witness a Rio de Janeiro that truly does not exist anymore. It was already a big city then, but it does not look that way for us today, and the beaches are all changed, too. For us it might be a light romantic comedy of some 70 years in the past. It is certainly a joy, and quite funny at times, and easy to watch. But, in 1930, this movie was considered not suitable for the ladies in Brazil. I guess I can understand.
The authorities probably figured that, upon seeing these rich girls that seem to be doing nothing but flirt and go to dancing parties all day long, women in Brazil would flock to Rio de Janeiro to let it loose! In the end, it is your regular love story, but it does seem to condone sex before marriage, as long as it is just a couple of days before the proposal!..£7.49

 

Labor’s Reward (1925)

Directed by John J.Manning this film has a runtime of 65 mins and the print quality is very good to excellent.

Plot: A motherless family is thrown into crisis when the father is injured at work. With no workers' compensation to fall back on, the eldest daughter, Mary, has to work long hours for low wages until she collapses. As a result, her coworkers band together to unionize.…..£7.49

 

Labyrinth of Horror(1921) **UPGRADE – Improved print**

Directed by Michael Curtiz and starring Lucy Doraine, Alphons Fryland, Max Devrient and Paul Askonas, this film has a runtime of 91 mins and the print quality is very good to excellent. This is an Austrian silent with French intertitles and hardcoded English subtitles.

Plot: Edward Stephenson, the son of a great industrialist, is due to marry the daughter of another prominent business leader. But the boy prefers a modest employee of the latter, Maud Hartley, whose brother is an impossible rascal, murderer of a police officer. Maud is spurned by Edward who wrongly assumes she is unfaithful. Later, the girl is victim of a railway accident and then throws herself headlong into the easy life. Will the couple reunite again, for better or worse?

Review: Alphons Fryland is the son of an industrialist. He is supposed to marry the daughter of another factory owner, when he encounters Lucy Doraine, working at his fiancee's home as a maid. She is forced to quit, and eventually goes at Fryland's factory as his secretary. Her brother, Jean Ducret, steals her keys and robs the factory's safe. She is fired, but to avoid scandal, is let go. Hard luck follows her, and she becomes a debauchee.
It's 6,000 feet of hard luck for Miss Doraine, which Michael Curtiz's movie insists i a matter of fate. At times I found the piling up of bad breaks to be wearisome, and then Curtiz and his director of photography, Gustav Ucicky, would offer an interesting shot: Miss Doraine lying in a hospital bed, hallucinating of drown in a shower of flowers, or a stuntman climbing a tall factory smokestack. There were also some great crowd scenes; by this stage in his career, Curtiz had the ability to direct scenes of mass chaos. It's a talent he would use many times in the coming years.…..£7.49

 

Ladies of Leisure (1926) **UPGRADE – Much improved print**

Directed by Tom Buckingham and starring Elaine Hammerstein, T.Roy Barnes, Robert Ellis and Gertrude Short, this film has a runtime of 58 mins and the print quality is excellent.

Plot: Rich, spoiled Marian pressures Eric to marry her.Her brother is in love with her friend Mamie, but a scheming ex husband tries to blackmail her. Mamie is saved from suicide by Eric, who's in a compromising position when he brings her home.

Review: Elaine Hammerstein and Gertrude Short play the ladies in two meandering story lines here. Hammerstein plays Mamie, a paid companion to Short in a wealthy household where she is being romanced by the handsome son (Robert Ellis). He presses for marriage but she has a dark secret. She finally accepts a ring from him as a friendship ring but goes into hiding when her "husband" (Jim Mason) appears on the scene. It seems she was tricked into marrying him after her father was framed in a jewel robbery. He expects her to help rob the house so she escapes.
Short plays Marian, a perky little pest who's after a "confirmed bachelor" (T. Roy Barnes) who does everything he can to avoid her. But no matter how he and his butler (Tom Ricketts) lie to her, she always manages to sneak into his apartment. By today's standards,she a stalker.
The two stories come together when Hammerstein decides a jump off the Brooklyn Bridge is the only way out, but who should be driving by but Barnes. He talks her out of jumping and taker her home. About the same time, a detective has traced Hammerstein to Barnes' apartment, which sends Ellis into a fury since Barnes is his best friend.
Ellis shows up and threatens Barnes if Hammerstein (dressed in a dry robe) is in the apartment. But Short sneaks in again and bursts into the room (in a robe) and declares she is married to Barnes. Ellis backs off and Short tells him Hammerstein is back at the house waiting for him.
Ellis races home but what will he find? Barnes has been trapped into marrying the pesty Short. Will they find wedded bliss?…..£7.49

 

Lads of the Village, The (1919)

Directed by Harry Lorraine and starring Bernard Dudley, Maudie Dunham and Jimmy Learmonth, this British silent film has a runtime of 76 mins and the print quality is very good.

Review: Everyone in the village has turned out, for Jimmy Learmouth and his pal Joe Peterman have been demobbed, and Jimmy has won the V.C. He has no interest in hanging around and making a speech, so his captain, H.J. Lord tells the tale, involving the captain's girl, two German spies, dispatches, and Learmouth dressing up as a Turkish magician.
It's based on a stage play co-produced by Peterman and starring, one can only presume, him and Learmouth, in a long, rambling tale about how the British officer was saved by the dumb luck of having plucky English commoners to to help out their stalwart, incompetent superiors. It's been nicely opened up -- not only in the bookends, shot outdoors, but in the battle scenes, which are nicely done. I don't doubt the sequences set in the Turkish Pasha's court, with his underdressed harem was in the original stage show, but it was undoubtedly a time when everyone was saying it was good for morale….£7.49.

 

Lady, The (1925) **UPGRADE - Much improved longer print**

Directed by Frank Borzage and starring Norma Talmadge, Wallace MacDonald, Brandon Hurst, Alfred J.Goulding, Doris Lloyd, Margaret Seddon and George Hackathorne, this film has a runtime of 86 mins and the print quality is excellent.

Plot: A young woman marries the wastrel son of a British aristocrat. Her husband, who has been disinherited by his father, loses what little money he has left gambling in casinos and then dies, leaving her penniless and with an infant son. When her former father-in-law tries to get custody of the child, she leaves him with a couple she trusts, but when she later goes to reclaim her son, she can't find the people she left him with.

Review: Norma Talmadge stars in a 'Madame X' story in which the lower-class Talmadge must give up her infant son for his own good and then spends the rest of the movie suffering. When Norma catches her husband cheating on her, he calls her 'a common trollop' -- no, I don't have that backwards -- and abandons her. After she gives birth and goes to work in a Marseilles boite -- surrounded by women who wear so little makeup they look like bad cross dressers -- her frozen-faced father-in-law appears on the scene with a court order for his grandson -- his son is dead. Desperate to make sure that her son isn't ruined as her husband had been, she gives him to an Anglican Minister's wife who looks a bit like Bing Crosby, since they are leaving their parish in Marseilles and returning to England. Miss Talmadge then spends the next couple of reels wandering around the streets of London, moderately barmy, and it all ends with a Surprising Revelation.
Now normally I have little use for this sort of tripe, but Miss Talmadge is simply wonderful in it. She is not tied down, as she so often is, by wearing expensive clothes and exotic hair styles. Instead, you get to see how beautiful she is and how she really inhabits a character and world where she believes this. As a result, I found myself weeping intermittently throughout the entire proceedings. …..£7.49

 

Lady and the Beard, The (1931)

Directed by Yasujiro Ozu, the film has a runtime of 75 mins and has a logo throughout. The print quality is good…..£7.49

 

Lady Hamilton (1921) **UPGRADE – Now with English subtitles**

Directed by Richard Oswald and starring Liane Haid, Conrad Veidt, Werner Krauss and Reinhold Schünzel this film has a runtime of 80 mins and the print quality is very good.The film is timecoded throughout and has Russian intertitles with English subtitles.

Plot: The dramatic story of Lady Hamilton's rise and fall in European society during the 1700s and early 1800s, including the romantic love story with Lord Nelson.

Review: For many years, “Lady Hamilton” was considered a lost film – and it still is, officially. But, unofficially there is an excellent copy from the Russian film archive. The version is not complete, but it looks incredibly well, considering the age. Conrad’s Major Nelson is amazing. Liane Haid is also very good as his lover, Lady Hamilton. In comparison to the 1941-version with Vivien Leigh and Laurence Olivier, which was focused on the couple, the 1921-version is even better, because it reflects also the political situation and the difficult years of war against Napoleon. The end of the scene from the silent film was a source of inspiration to the sound version, but not even Olivier could surpass Conrad’s brilliant acting all the way. He is very convincing and obviously dedicated to the cause for which his character fights until his death. There are also some romantic and even delirious moments in which especially Connie is very good, and his acting here, like in all of his films, is the best from the entire cast, even if Werner Krauss is also effective as Lord Hamilton. This film is a gem of the German silent cinema, and it deserves complete restoration in order to be available not just for collectors like me, but also for all the fans of Conrad Veidt around the world. …..£7.49

 

Lady in the Library, The (1917)

Starring Jack Vosburgh and Vola Vale. Runtime: 45 mins…..£7.49

 

Lady of Chance, A (1928)

Starring Norma Shearer, Lowell Sherman, Johnny Mack Brown and Eugenie Besserer. Plot: Dolly, alias "Angel Face," meets a naive young man at a hotel who appears to be rich. Thinking she's found an easy mark, she marries him, only to find out that the plantation he was bragging about belongs to a neighbor, and his fortune is more speculative than real. In spite of herself, she falls in love with him. Review: Story of female con artist who falls for her scam victim is just a backdrop for Shearer, who photographs beautifully and shows a remarkable range without uttering a word (check out the "wedding veil" scene, where she moves from mocking the idea of marriage to momentarily embracing the idea, all within a few seconds of subtly-evolving facial gestures). Entertaining, even if plot takes a couple of slightly unbelievable twists, with nice balance of comedy and drama (again, Shearer's range of emotion in the last scenes of the film are impressive and engaging). Clearly shows why Norma Shearer was a major MGM star even before the advent of sound…..£7.49

 

Lady of the Camelias, The (1915)

Starring Francesco Bertini. Good print. Runtime 53 mins…..£7.49

 

Lady of the Dugout (1918)

Directed by W.S.Van Dyke and starring Al Jennings, Frank Jennings, Corinne Grant and Carl Stockdale, this film has a runtime of 64 mins and the print quality is very good.

Review: Pardoned criminals Al and Frank Jennings sit down with a couple men who want to know about their past. The men are fans of their stories in The Saturday Evening Post and want to know if there are any stories that haven't been published. Al then goes about telling of them robbing a bank and then running into a poor woman and her child who were abandoned by her husband. THE LADY OF THE DUGOUT is a pretty silly little story because the Jennings' try to make themselves look like good guys, which they certainly were not. One really has to get over that and just sit back and try to enjoy the picture. I will say that technically speaking this here is one of the best Westerns I've seen from this era. Director W.S. Van Dyke does a really good job at keeping the action going at a great pace and he also manages to make the film look very professional. I think the biggest problem with the movie is that the title cards seem to preach way too much and I also think they say way too much. Quite often they'll tell us something like "the kid is sleeping" and then we'll get a shot of him sleeping. It will read "they were mad" and then we see a scene of them mad. There really wasn't any need for the cards and other times scenes just dragged on including one flashback where we see the woman's early days. Still, the film contains some great action scenes that make it worth viewing and there's no question that there's something interesting hearing this made up story from two outlaws….£7.49

 

Lady of the Lake, The (1928)

A real rarity (or is that oddity?). IMDB shows the year as 1930 so possibly held back by the production company Fitzpatrick Pictures. Starring Percy Marmont and Benita Hume…..£7.49

 

Lady of the Night (1925)

Directed by Monta Bell and starring Norma Shearer, Malcolm McGregor, Dale Fuller, George K.Arthur and Fred Esmelton, this film has a runtime of 61 mins and the print quality is excellent. In addition Joan Crawford appears uncredited as a body double for Norma Shearer in some scenes.

Plot: Lady of the Night ~ the story of two baby girls, born near in proximity, but worlds apart in life, - Molly Helmer, the daughter of a thief, and Florence Banning the daughter of the judge who would send Molly's father to prison. The girls' lives come together as young women at eighteen as Florence leaves the security of the exclusive Girls Select School, and Molly, now orphaned, begins her life free from reform school. Norma Shearer plays both young women, but the apparent differences in their worldliness will also make them most unfamiliar in appearance. Molly's new world consists of nights at Kelly's Dance Hall and her ever-present worshiper, Chunky Dunn. On one of her nightly dance hall outing's Molly meets David Page, an up and coming inventor, whom she quickly falls in love with. Molly persuades David to seek an honest buyer for his new safe-cracking device; against the advice of Chunky whose shadier side see's this as an opportunity for himself, and to corrupt David in the process. Following Molly's advice, David meets with a group of investors, including the now retired Judge Banning, father of Florence. While at the Judges' home, David meets Florence and is instantly engaged by her charm and innocence, a characteristic not so present in Molly, although she tries hard to become such. We then begin to watch the personal struggles of two young women, both in love with David, yet both willing to give him up; Florence thinking the other has a stronger claim and Molly believing she is not good enough. Through strong direction and subtle acting intermixed with false bravado, we see Molly mature into one who sacrifices all for the sake of others, and become the person she so often imitated. -- Very sentimental - Excellent movie for the person who believes there is no good silent film.

Review: Norma Shearer is terrific playing a dual role in this well-done silent film about two women - Molly, the daughter of a convict and Florence, the daughter of the judge who sentenced him. Molly of the heavily painted face, huge feather hat, and big beaded necklace, lives in a flat on the wrong side of the tracks and goes out with a little local named Chunky. But while out at the nearby dance hall she meets a handsome, crooked grinned lug named Dave Page, who she instantly falls in love with. Dave has invented, of all things, a device that can open any safe in the world - encouraged by Molly to "not go crooked", he sells the invention to the judge and a group of bank directors, and soon literally bumps into Florence - and into a love of his own! Poor, poor Molly. Norma Shearer is so good in this, the characters of Molly and Florence completely seem like two different women, and excellent split screen photography is used here when they are both on screen at the same time. I thought there would be something in this about the fact that the two are lookalikes, perhaps switching places or something - never happens. The fact they look alike is just not part of the plot here. The lighting is done in an interesting way in this - Norma as Florence seems to be shot in more filtered, subtle lighting and she looks very lovely - Norma as Molly is severely lit to make her look more sharp and, boy oh boy, does the thick makeup she wears as this character look really harsh - she looks almost like a prostitute here…..£7.49

 

Lady of the Pavements (1929)

Directed by DW Griffith and starring Lupe Velez and Jetta Goudal. Very good print. Silent film with some sound sequences. Runtime: 86 mins…..£7.49

 

Lady Windermere’s Fan (1925)

Starring Ronald Colman and directed by Ernst Lubitsch.

Plot: Mrs Erlynne, the mother of Lady Windermere - her daughter does not know about her - wants to be introduced in society, so that she can marry Lord Augustus Lorton. Lord Windermere, who helped her with a cheque, invites her to his wifes birthday-party, but Lady Windermere thinks, she has reason to be jealous, so she decides to leave her husband and go to Lord Darlington, who is pining for her. Mrs Erlynne finds this out and tries to prevent her of this mistake, but her daughter leaves her fan in Lord Darlington’s residence.

Review: At first it might not seem as if the combination of Ernst Lubitsch and Oscar Wilde would work very well, but this silent-screen adaptation of Wilde's "Lady Windermere's Fan" is both enjoyable and well-crafted. Instead of clashing, Lubitsch's stylish, mischievous approach and Wilde's perceptive cynicism complement each other. The characters and the story are Wilde's, the acting and the style are Lubitsch's. Although the material is heavily re-worked from the original play, Lubitsch's decisions all seem to work pretty well. Wilde's witty and resourceful dialogue is gone, but his insightful portrayals of human nature remain. Lubitsch also makes good use of the camera to bring off some shots that could not have worked on the stage. In particular, at times he makes the fateful fan seem almost a full-fledged part of the cast. This movie version features solid performances by May McAvoy and Bert Lytell as the Windermeres, with a youngish-looking Ronald Colman suitably ingratiating as Lord Darlington. But Irene Rich has the most interesting character, and as Mrs. Erlynne she also gives a fine performance that particularly stands out in her scenes with the other characters. She and Lubitsch both capture the nature of her unpopular but admirable character, while carefully setting up the contrasts and conflicts between her and the other characters, who are in general more socially acceptable but far less worthy. This also works well simply as an entertaining, often very amusing, and sometimes dramatically compelling story. For most silent film fans, it would definitely be worth tracking down and watching…..£7.49

 

Laila (1929)

Starring Mona Martenson. Runtime: 145 mins…..£7.49

 

Lamb, The (1915)

Starring Douglas Fairbanks. Review: Excellent movie! The movie is, overall, very enjoyable, as it contains much of the light humor and 1915 charm Douglas Fairbanks worked so well in his first feature film. The plot, of the rich coward (Fairbanks) who goes to great lengths to be more manly to please his fiance (Seena Owens), seems old and worn out, but this movie carries it off wonderfully well. However, the portrayal of the Indians in this movie is questionable as it is not quite politically correct…..£7.49

 

Land In Captivity aka Zemlya v Plenu (1928)

Directed by Fyodor Otsep and starring Anna Sten, the film has a runtime of 69 mins and has English and Russian intertitles. The print quality is good…..£7.49

 

Larry Semon Comedies

Four silent comedies from this almost forgotten comedian:

1/ Bathing Beauties and Big Boobs (1918) 2/The Grocery Clerk (1920) 3/ The Bell Hop (1922) 4/ The Four Wheeled Terror (1924)….£7.49

 

Land Unterm Kreuz(1927)

Directed by Ulrich Kayser, this German documentary film has a runtime of 66 mins and the print quality is very good. I has a logo throughout and German only intertitles.

Although the majority of voters in the 1921 referendum voted in favor of Upper Silesia remaining in Germany, the industrialized eastern part of the province was given to Poland by the Allies. In order to remind broad sections of the population of this fate, the elaborate cultural and propaganda film LAND UNDER THE KREUZ was made in 1927 on the initiative of the authorities. It describes the historical development of Upper Silesia, the serious consequences of the Versailles Treaty and the referendum for the German population as a drama of loss of homeland and expulsion, hardship, illness and inner turmoil. After LAND UNTERM KREUZ was initially banned, it premiered in Gleiwitz in Upper Silesia on the “Voting Remembrance Day” in 1927 and led to massive upsets in German-Polish relations….£7.49

 

Lash of the Law, The (1925)

Starring Bill Bailey. Runtime: 47 mins…..£7.49

 

Lash of the Whip (1926)

Directed by Francis Ford and starring Ashton Dearholt, Harry Dunkinson, Florence Gilbert, Francis Ford and Frank Baker, this film has a runtime of 45 mins and the print quality is very good to excellent.

Plot: "Hurricane" Smith ( Francis Ford ), head of a steamship company, plots to keep the railroad from entering the city. The map of the proposed route becomes the instrument by which Blake ( Frank Baker ) and Florence ( Florence Gilbert ) are harassed by Smith's gang and repeatedly are rescued by "Pinto Pete," ( Ashton Dearholt ) who is adept with a whip.

Review: There's a prosperous, modern capitol city that the rail road wants to run a spur to. To do that, they must find a way through Ghost Valley, but Francis Ford's shipping company which controls all access to the city and is strangling it -- despite its evident prosperity -- sends a bunch of scalawags to stop the railroad surveyors. Only a masked bandit called Pinto Pete (Ashton Dearholt), his deadly whip, and his comic servant stand guard against the desperate villains.
It all sounds pretty unlikely, and that's the way director Francis Ford handles this comedy-adventure. Dearholt and pal are a mock heroic pair, like the Cisco Kid would become when reduced to B movie status twenty years later. There is some spectacular fight sequence in high cliffs that look a lot like the sort of thing that the serials had been doing for a while; Ford had starred in and directed them for Universal, when he and Grace Cunard were Universal's top moneymakers. Now he was working for the States Rights market instead, but he still knew how to shoot a fight scene….£7.49

 

Last Berlin Taxi, The (1926)

**Now with English intertitles!!**

Starring Lupu Pick and Hedwig Wandel. Decent print. Runtime: 73 mins…..£7.49

 

Last Chance, The (1926)

Starring Bill Patton and Dorothy Donald.

Review: With so many silent westerns having been made, and so few of those having survived, I'll watch pretty much any silent western I can find. This 1926 entry starring Bill Patton is above average, and as a footnote was directed by Horace Carpenter, of later fame as the mad doctor in Dwain Esper's 1934 sleaze classic MANIAC. The plot here involves the standard "stolen payroll", and for the first ten minutes or so things are played out in a solid but standard manner, but then when Patton decides to infiltrate the gang, he does NOT do it by pretending to be a rough and tumble criminal from some other part of the country, but does it as a greenhorn in mail-order "outlaw clothes" who comes off as a buffoon. The gang does need another member, and this guy obviously poses no threat, so why not bring him on...the gang also relishes being able to make fun of him. Patton shows a wonderful Stan Laurel-like comic presence during these scenes, and he is teamed against gang leader "Black Bart" played wonderfully by Merrill McCormick, who looks like a long-haired and bearded Robert Walker Jr. There are a lot of close-ups in the film, and Carpenter comes off as a first-rate director of low-budget indie westerns. Each character is vividly drawn and the action moves at a brisk pace, but there is a lot of entertainment value and I'm sure the children of the day would have gotten a big laugh out of many scenes. I look forward to seeing more of his work….£7.49

 

Last Command, The (1928)

Featuring the performance that gave Emil Jannings the very first best actor oscar and directed by Josef Von Sternberg. Also starring William Powell.

Plot: A decorated, aristocratic Czarist General is reduced to penury after the collapse of Imperial Russia. An old adversary, now a successful director hires the general to re-enact the revolution which deposed him.

Review: Josef von Sternberg's "The Last Command" is probably his finest film. It is one of the only times that Sternberg was able to add story and acting to his preoccupation with the visual picture. The credit for the acting goes all to Jannings who gives a powerful performance as the General with a haunting past. He definitely deserved the first Best Actor Oscar that he did receive...£7.49

 

Last Days of Pompeii, The (1913)

Directed by Mario Caserini and Eleuterio Rodolfi and starring Fernanda Negri Pouget, Eugenia Tettoni Fior, Ubaldo Stefani and and Antonio Grisanti, this film has a runtime of 87 mins and the print quality is very good to excellent.  This longer better quality print is now available with the original intertitles plus additional English subtitles.

Plot: Well respected Pompeiian Glaucus performs an act of kindness by buying Nidia, a blind slave being mistreated by her owner. Nidia falls in love with her new master, but he only has eyes for Jone. Jone in turn is lusted after by Arbace, an Egyptian high priest of Isis. When Nidia beseeches Isis for help in capturing Glaucus' heart, Arbace gives her a "love" potion, which really will affect his mind and not his heart, thus opening the way to Jone for himself. When Arbace's disciple is murdered Glaucus finds himself in hot water, shortly after which Mt. Vesuvius erupts.

Review: An evil Egyptian priest menaces a young Roman maiden while a blind slave girl shows great courage in attempting to rescue her beloved master, during THE LAST DAYS OF POMPEII.
Produced less than two decades after the birth of cinema, this silent film is considered to be the first important historical epic filmed on a truly grand scale. It also heralded the arrival of the Italian movie industry as a force to be reckoned with, however briefly, in the halcyon days before World War One.
Produced by prolific director Mario Caserini (1874-1920), it features a completely static camera which has the effect of turning each shot into a living tableau. (The only exceptions are a few pan shots of flowing lava which were inserted in the film's final moments.) Caserini manages his early crowd scenes very nicely, in which everyone looks like they're actually doing something and have a reason to be in the shot. The use of light & shadow on the large sets is also most commendable.
The final twenty minutes, when Vesuvius blows her top and destroys Pompeii, features special effects which are still quite impressive. After more than an hour of silver toned film, the abrupt switch to red tints at the instant of the eruption is a definite attention grabber.
Much of the acting is very theatrical & overripe, but that was the style back then and was probably much affected by grand opera. Two performers should be noted - Fernanda Negri Pouget is quite touching as the tragic blind girl, and Ubaldo Stefani, as the hero, is unintentionally hilarious in the scene in which he drinks a witch's poisoned brew.
The film's final moments embrace a mature sensitivity and highlight the latent power of the cinematic image. …..£7.49

 

Last Days of Pompeii, The (1926)

Directed by Victor Varconi this Italian silent film with Italian only intertitles and a runtime of 175 mins is timecoded and the print quality is ok.

Review: The last of the great silent Italian epics, The Last Days of Pompeii is as lavish as anything produced by Hollywood at that time - only much, much raunchier. During an orgy in the house of the evil priest Arbaces, naked slave girls are served up (literally!) on platters decked with flowers. A nubile mummy rises out of her sarcophagus to do a striptease and bare-breasted sphinx statues come to life as her chorus line. In the gladiators' tavern, wildly effeminate men (kohl-dark eyelids and lipstick as thick as clotted blood) drool and bat their eyes over so much naked, muscular flesh. All in all, the most satisfyingly decadent Ancient Rome saga until Fellini Satyricon in 1968! In between the orgies and the rampant homoeroticism, directors Amleto Palermi and Carmine Gallone stick close to the Victorian melodramatics of Bulwer-Lytton's novel. The blind flower girl Nydia (Maria Korda) loves the dumb but good-hearted hunk Glaucus (Victor Varconi) who prefers the demure and aristocratic Ione (Rina de Liguoro). Ione, alas, is lusted after by the villainous Arbaces (Bernhard Goetzke) who also has a close...er...friendship with her brother Apicedes. A gorgeous young ephebe who resembles an Aubrey Beardsley angel, Apicedes can find nothing better to do than convert to Christianity. The best way, apparently, to 'wash himself clean of sin.' You can always spot the Christians in these movies. They're the un-photogenic ones - the ones with glum faces and no jewels. But piety is no guarantee of salvation once Mount Vesuvius finally blows its top. The Grand Finale incorporates newsreel footage of an real volcanic eruption - so we're treated to the anachronistic but wholly delightful sight of two cameramen in modern dress, scurrying down the slopes to escape the burning lava! We watch, well-pleased, as the opulent sets crumble into still-more-opulent ruins. No, they really don't make 'em like that anymore! Not that anybody these days would have the nerve…..£7.49

 

Last Edition, The (1925)

Directed by Emory Johnson and starring Ralph Lewis, Lila Leslie, Ray Hallor, Frances Teague and Rex Lease, this film has a runtime of 80 mins and the print quality is excellent.

Plot: The assistant foreman of the San Francisco Chronicle press-room, Tom MacDonald is passed over for the post of foreman in favor of a younger man. He gains satisfaction, though, when his son, Ray, obtains a good job in the district attorney's office. Reporter Clarence Walker, in love with MacDonald's daughter, Polly, is sent to obtain evidence against notorious bootlegger Sam Blotz, who is protected by Assistant District Attorney Gerald Fuller. Blotz and Fuller frame Ray to put Walker off their track. Although his conscience bothers him, Walker reports the story in time for the last edition. MacDonald attempts to stop the presses, and when Blotz's henchman, "Red" Moran, blows up the building, MacDonald is blamed and put in jail with his son. Walker eventually uncovers evidence exonerating the father and son, MacDonald is made foreman, and a new newspaper plant is built.

Review: The Last Edition (1925) is a pleasant enough silent film. The main guy is a old news paper man hoping to get his promotion after 20 years in waiting. But we get a look into the office of the executives and his yes-men and the world of gangsters as things doesn't exactly go the right way for our good man and his decent family. A fairly captivating action film at times with it's share of shortcomings. And as a real curio the real Police Chief of San Francisco makes a cameo. That's none other then Daniel J. O'Brien, the father of Hollywood star George O'Brien! You can see him having pictures of his son on the wall during his scenes. In another Hollywood connection Dan O'Brien was actually the one to order the arrest of "Fatty" Arbuckle in 1921!...£7.49

 

Last Indian Attack, The aka El Ultimo Malon (1917)

Directed by Alcides Greca. Runtime 61 mins…..£7.49

 

Last Laugh, The (1924)

Starring Emil Jannings.

Plot: The experienced doorman at the Atlantic Hotel is quite proud of his position, his responsibilities, and his uniform. One busy, rainy night, he has to take a short rest after lugging a heavy suitcase in from the rain. Unfortunately, his manager comes by during the short time when he is not performing his duties. The next day, when the doorman arrives for work, he learns that he has been replaced as doorman, and has been re-assigned to the less strenuous but purely menial position of washroom attendant. Stunned and humiliated, the old man struggles to carry on with his life....£7.49

 

Last Night, The aka Revolutionshochzeit (1928)

Directed by A.W.Sandberg and starring Diomira Jacobini, Gosta Ekman, Karina Bell, Walter Rilla and Fritz Kortner, this film has a runtime of 96 mins and the print quality is very good. It has a discreet logo throughout.

Plot: The film evolves during the French Revolution. Alaine de l’Estelle (Diomira Jacobini) and her maid Leontine (Karina Bell) try to flee Paris. Alaine is expected by her fiance, Ernest de Tresailles (Walter Rilla), at the castle of Trionville. Alaine and Leontine get unexpected help from Marc Aron (Ekman), lieutenant in the revolutionary army. He is member of the Jacobines, who right after the marriage of Ernest and Alaine occupy Trionville. For love of Alaine Marc tries to help Ernest and by consequence is himself arrested and executed. The film premiered at the Berlin Mozartsaal in 1928 and was an international success. In particular Ekman 's performance was lauded. Still it took till 2010 for a print from Moscow to emerge at the film archive of Toulouse, which was sent to the Filmmuseum Potsdam, where it was restored and re-premiered in March 2011. It was considered then to have an overdosis of pathos and heroism, but still be an enjoyable film full of excitement….£7.49

Last of the Mohicans, The (1920)

Starring Wallace Beery and directed by Clarence Brown.

Review: As Alice and Cora Munro attempt to find their father, a British officer in the French and Indian War, they are set upon by French soldiers and their cohorts, Huron tribesmen led by the evil Magua. Fighting to rescue the women are Chingachgook and his son Uncas, the last of the Mohican tribe, and their white ally, the frontiersman Natty Bumppo, known as Hawkeye. Keeping the storyline close to that of the original novel, this is perhaps the best telling of the Cooper classic. Great photography, and what for the time, must have been considered "under-acting" maintain a timelessness to this version. It is interesting to see a somewhat slim Wallace Beery as the villain Magua. While the 1936 Randolph Scott version is good, this one is the best, much more so than the Daniel Day Lewis atrocity produced in the 90s!!!….£7.49

 

Last Outlaw, The (1927)

Starring Gary Cooper……£7.49

 

Last Performance, The (1927)

Starring Conrad Veidt and Mary Philbin……£7.49

 

Last Round-Up, The (1929)

Silent western starring Bob Custer and Hazel Mills.

Plot: There is trouble on the Bar D ranch as cowhand Mile Ahead plans to rustle the herd. He starts a fire on the opposite side of the ranch to keep the hands busy and also kidnaps the new school teacher. Fighting the fire, Foreman Denver leans the cattle are gone and going after Mile Ahead, learns the teacher is a prisoner in the school and the fire that is now out of control is heading her way…..£7.49

 

Last Trail, The (1927)

Silent western starring Tom Mix.

Plot: The robberies on Jasper Carrol's stages have been so frequent that the stage line plans to hold a stagecoach race with the winner getting the new contract. Tom foils Cal Barker's attempt to kill him and gets a confession from him that Kurt Morley is behind the robberies. But first Tom must win the race for Carrol although Morley's stages have him greatly outnumbered…..£7.49

 

Last Victim, The aka L'ultima vittima aka A Victim of Vengeance (1913)

Directed by Roberto Roberti, who also stars alongside Antonietta Calderari, Giuseppe De Witten, Frederico Elvezi and Bice Valerian, this film has a runtime of 35 mins and the print quality is very good to excellent. This Italian silent has Italian intertitles with English subtitles and has a discreet logo throughout.

Review: Antonietta Calderari plays a sultry femme-fatale in this effective little drama from Roberto Roberti. She’s a gold-digger who finds her imminent marriage to a Spanish Duke endangered by a threat to expose her past made by one of her previous victims. The price she pays for all those ruined men is certainly unusual…£7.49

 

Last Volunteer, The (1914)

Directed by Oscar Apfel and starring Eleanor Woodruff, Paul Panzer, Robert Broderick and Irving Cummings, this film has a runtime of 65 mins and the print quality is very good.

Plot: Prince Ludwig of Saxe-Tholberg, a young man who is tired of the pomp and show of the court, decides to get away from it all for a while. He leaves the palace dressed as a hunter and goes to a far corner of the Principality. There he meets Katrina, the daughter of an innkeeper. Katrina is so winning and wholesome, just the kind of girl that the Prince has not been used to, that he asks if he can secure a room at the inn. He is accommodated and finds that the more he sees of Katrina the more he hates to leave and go back to the old life. Finally the court becomes impatient at the absence of the Prince and sends couriers to find him and persuade him to return. Katrina's brother has taken the Prince to task on account of his interest in Katrina and hot words pass. Raolf attacks the Prince, not knowing who he is. While the struggle is taking place Von Tromp enters and Raolf is astounded to learn that they have had the Prince as their guest. The diplomatic relations between Saxe-Tholberg and Austrania have been strained owing to some trouble over the boundary, and war is imminent. The Ambassador of Austrania, anxious to secure the plans of Saxe-Tholberg, corrupts one of the officers of the Saxe-Tholberg army and meets him at the inn kept by Katrina's father. Their conversation there is overheard by Katrina and her brother, who enter the room and accuse the officer of being false to his country. The Austranian Ambassador attacks Raolf. Katrina secures a weapon and accidentally shoots the Ambassador. Two officers who have accompanied the Ambassador enter. They seize Raolf and accuse him of the crime. Raolf is arrested and condemned to death in spite of the protests of Katrina, who tells the court that she did the shooting, and of the plot which they discovered. The Saxe-Tholberg officer, however, had escaped and taken the papers with him, so there was no proof of Katrina's story and the sentence of death is ordered to be carried out. Katrina makes a last appeal to the Prince, who pardons Raolf. The Austranian Nation demand satisfaction, but not being able to get it, declare war. In the ensuing war the forces of Saxe-Tholberg are not very successful in a crucial battle the leader of the Saxe-Tholberg forces is wounded and the flag is shot from the flag pole. Becoming demoralized, the Sax-Tholberg army is about to retreat when the Prince calls for a volunteer to raise the flag. The pole is on a small hill which is swept by the fire of the enemy, and it means almost sure death for one who makes the attempt. Raolf starts out but is killed before he attains his object. Several others make the attempt but are not successful. Finally Katrina offers herself and in spite of the protests of the officers and of the Prince, rushes from the house toward the standard. The very boldness of the attempt being made by a woman ensures its success, and the wavering forces of Saxe-Tholberg rally and drive the enemy back. Katrina's reward is that which falls to the lot of many patriots who offer their life for their country's good….£7.49

 

Last Warning, The (1929)

Directed by Paul Leni and starring Laura La Plante, Montagu Love, Margaret Livingston and John Boles, this film has a runtime 77 mins and the print quality is good.

Review: Paul Leni (The Cat and the Canary, The Man Who Laughs) directs this Universal horror film, which has been forgotten over the years but if you've seen some of the studios bigger pictures then you've can tell what all this film has influenced. A popular show on Broadway, inside a creepy theatre, is closed down after the mysterious murder of one of the actors. Years later the police reassemble the original cast and bring them back to the theater to see if they can trap the murderer but it might be a ghost they're dealing with. This film mixes elements of The Phantom of the Opera with the old dark house themes of films like The Bat and delivers a terrific entertainment. This film has never been officially released so I had to view it via what appears to be a 16mm print and the quality was pretty bad throughout so if I get a chance to see a pristine print then I'll probably bump my review up. The technical eye of Leni, who died after this film, is untouched by nearly everyone as he's constantly trying new and different things with the camera. I love how he'll have a medium shot and then move the camera in to show some evidence before moving it back out to let the action role. The film runs just under 80-minutes and goes by very fast with some exciting action but also a great story to work with. The actors, including John Boles who would later appear in Frankenstein, all do nice work as well. There are a few twists and turns along the way that actually work well within the story. This film works on a technical level as well as the story level and that makes this a wonderful little gem that needs to be rediscovered. The only thing people know about this movie nowdays is that it was a huge influence on James Whale and this is easy to see. There's a woman here, used as comic relief, which is later a carbon copy in Una O'Connor. The Old Dark House also lifts some shots here but I won't say which ones since it'll ruin scenes in both movies. The score here was also later reused in Dracula and this film was shot on the same sets as The Phantom of the Opera so there's a lot of connections here.…..£7.49

 

Late Mathias Pascal, The (1926) **UPGRADE – Improved print**

Directed by Marcel L’Herbier and starring Ivan Mozzkuhkin, Marcelle Pradot, Lois Moran and Pierre Batcheff, this film has a runtime of 172 mins and the print quality is excellent. This is a French silent film with French intertitles and English subtitles.

Plot: Mathias Pascal, only son of a once rich family, marries beautiful Romilde, who has a terrible mother-in-law. She controls her daughter, and soon his home life becomes a nightmare, as well as his job as assistant librarian in his home town. His only moments of lights are his mother and his baby, but both die on the same day. Shocked he leaves his hometown and gets to Monte Carlo, where he wins a fortune at the Casino. Returning home, he reads his own obituary in a paper. They have found a corpse in a creek and connected it with his disappearance. Mathias, noticing that he now is free from all ties to his old live, decides to start a new one, and goes to Rome, where he rents a room in a pension full of fake spiritualists who are controlling the owner. The chief of the gang, Terence, wants to marry the owner's daughter Adrienne, and has convinced her father to give her to him, with no regards of Adrienne's feelings, who is in love with and loved by Mathias.

Review: The White Russian exile Ivan Mosjoukine was arguably the greatest male star of the silent screen. Imagine an actor who combined the matinée idol looks of John Barrymore with the smoldering sexual magnetism of Valentino, the deft physical comedy of Chaplin with the dark Gothic creepiness of Lon Chaney. It sounds impossible, of course - unless you've seen Mosjoukine in action. One glance from those hypnotic, liquid eyes holds more power than all the others combined. Indeed, there's a strong case for Mosjoukine as the greatest actor in screen history. His stylised High Romantic playing has dated far less in 80 years than the Actor's Studio tricks of Brando and de Niro have dated in half that time. To see him in his great roles - and Matthias Pascal is one of those - is to feel time itself dissolve through the camera's lens. Mosjoukine, like Garbo, is one of a handful of screen stars whose work on celluloid has the immediacy of live performance. As a vehicle for Mosjoukine and his brilliance, The Late Matthias Pascal is one of the all-time greats. He starts off as an adolescent dreamer, last survivor of a ruined of a ruined aristocratic dynasty (much like Mosjoukine's own family in post-Revolutionary Russia). Blundering his way into marriage, he becomes a harassed and penniless family man, weighed down by wife, baby and the original Mother-In-Law From Hell. Only the awfulness of his home life allows him to tolerate his job - catching rats at the local library, whose mouldering piles of books resemble the last scene of Citizen Kane! Tragedy strikes, and Matthias runs away. Instantly, his luck changes. Winning a fortune at the Casino in Monte Carlo, he moves on to Rome - where he appears as a young gentleman of fashion. Soon enough, he falls in love with a young girl played by Lois Moran. An infatuation of F. Scott Fitzgerald and the model for Rosemanry in Tender Is the Night, Moran is similarly idealised in this film. Naturally, Matthias longs to do the decent thing and marry her. Yet he faces the same dilemma as most of Pirandello's heroes. If he isn't himself, who on Earth is he? As a work of cinema, The Late Matthias Pascal is not as spectacularly dotty as L'Herbier's 1924 masterpiece L'Inhumaine. It is also perhaps a shade too long. Yet its bravura sequences - the library, the casino, the dream sequences where Matthias is haunted by his 'dead' double - show L'Herbier as an unjustly neglected genius, worthy of a place next to Lang and von Stroheim in Film Studies 101. His spectacular use of real-life locations is unusual for the 20s. But Mosjoukine is the most spectacular sight of all!….£7.49

 

Laughing at Danger (1924)

Starring Richard Talmadge. Review: A lovelorn man accidentally happens upon a missing piece of death ray machine, and becomes the target of criminals intent on using the machine.This silent action/comedy with science fiction elements (the death ray) has a fun idea at the center of it; our hero laughs at danger not because he's so brave, but because he believes he's in the middle of an elaborate practical joke set up by his father to raise his spirits after he is rejected by the woman he loves. Therefore, he never really believes he's in danger, and that is the joke of the situation. The movie is amusing enough, but it never really takes this premise to its ultimate possibilities….£7.49

 

Laughter and Tears (1921)

Directed by B.E.Doxat Pratt and starring Evelyn Brent, Adelqui Migliar, Dorothy Fane and Maudie Dunham, this film has a runtime of 69 mins and the print quality is very good to excellent. The film was a joint UK and Netherlands production and the screenplay was written by its male star Adelqui Migliar, based on his play.

Plot: Bohemian drama. A woman falls in love with a struggling artist, who later becomes famous and decides to leave Venice for a lucrative career.

Review: A British silent from 1921 you say? Can’t be much cop can it? Well, it’s not a classic but it is very enjoyable not least for those glamorous backdrops but also for the hints of Bright Young Thing hard-partying. Then there’s Miss Brent, her face slightly fuller than in her von Sternberg films but with that famous profile, the infamous sulk, those piercing eyes all much in evidence.

She is the standout performer in the film as director B. E. Doxat-Pratt gives her plenty of close-up as well as walking shots as she drifts, wrapped in darkened shawl along the Champs-Élysées or down canal-sides. She also laughs and not in a world-weary or loaded way… but then she is meant to a bohemian sprite, an unaffected creature of pure and simple emotion….£7.49

 

Law And The Outlaw, The (1913)

Starring Tom Mix and Myrtle Stedman. Review: According to Blackhawk Films who distributed the standard 8 format of this film, it originally(in 1914) was a 2 reeler, but at least 5 years later as Mix's popularity began to soar it was combined with another 2 reeler to provide a near feature length film for his ever growing audience. It still stayed true to the overall story, although the ending was altered somewhat. The plot chiefly is fairly interesting and Mix's performance is good, but the abundance of inter-titles is a drawback as well as the camera work which in general relies on the medium shot. There are about only 2 medium close shots, and no "close-ups" at all! What is really different about this Western is that the hero is definitely not your stereotypical hero, as he flirts with disaster more times than not. Dakota Joe(Mix) is on the run for crime attributed to him but actually committed by his brother. There is a $1000 reward poster for him nearby which he promptly crumbles up. Maybe he is on the run because of his pullover striped shirt he is wearing! It's a dead giveaway. There is a 1912 photograph of him wearing a similar shirt in the book, A Pictorial History of the Silent Film, so perhaps he was experimenting in a trademark style which thankfully he must have been talked out of. Anyhow, we are introduced to the characters at the Paradise Valley Ranch he has ridden up to. There is the foreman(troublemaker) and the ranch owner. Dakota joins up with the outfit and soon is well acquainted with the local beauty, Grace. At round-up time they ride together and the foreman doesn't like it. Next, a fight between two of the cattle is showcased. Then as everyone has settled down for eats, a bull is on the loose and after Grace. Dakota Joe comes to the rescue, bringing the animal down, although he also is totally spent. At his weakest now, the law happens to ride up and take advantage of the scene in order to capture him. As they begin leading him into town, he escapes. Dakota then is able to steal a gun from a sleeping man. The law return to the ranch hands and seek their help. Next we see, a rare(in this film) medium close shot of Dakota shooting his handcuffs apart. Before you know it, the posse once again catch up to him and there is a shootout. Dakota Joe gets away, but not long after gets thrown from his horse! What Western star does this? He is not too far from the whole crowd now, and in fact Grace takes out a telescope(how many of those do you see in a Western?) and is able to ascertain Dakota's safety. Well, the law once again captures and leads him off to jail, with Grace remarking, between sobs, that she will wait for him. Maybe events now will take a turn for the best, as when we see Dakota Joe behind bars he is wearing a white dress shirt! After a short interval Grace gets concerned that Dakota will be mistreated at the jail house. What follows is a scene that no doubt was not new even then, but would be repeated countless times in future Westerns. It's the old "hiding the saw in the picnic basket trick" that Grace resorts to! This works and he soon breaks out. Once again, though, luck is not on his side. He suffers more hazards than the "Hazzards of Helen" and "Perils of Pauline" put together! What happens this time is his horse goes lame. To escape his pursuers, an inventive scene, which once again would be used in later pictures, takes place. Dakota takes apart his rifle and uses it as a breathing tube to hide under water. As the posse pass him by and are out of site, he continues for some distance on foot. It is not long before he collapses. An old prospector(is there any other kind?) with a telescope(they must be on sale!) finds him and brings Dakota to his cabin to get well. There is some confusion later which reminds the viewer that they are actually viewing 2 combined films, but the conclusion is nicely worked out, and one more medium close shot is thrown in for good measure. The print quality is very good and running time approximately 44.5 minutes…..£7.49

 

Lawine, Die (1923)

Directed by Michael Curtiz. This film is available only with French intertitles. Runtime 71 mins…..£7.49

 

Law’s Lash, The (1928)

Starring Klondike the Wonder Dog, this film has a runtime of 61 mins and the print quality is good…..£7.49

 

Lazybones (1925)

Starring Buck Jones and Madge Bellamy.

Review: Steve Tuttle (Charles Jones), the titular lazybones, takes on the responsibility of raising a fatherless girl, causing a scandal in his small town. Many years later, having returned from World War I, he discovers that he loves the grown-up girl. Review: Uncommonly fine little rural romance, where the familiar plot contrivances (mother love, war heroics, the "Daddy Long Legs" motif of the benefactor falling in love with his ward) are transcended by sensitive treatment. Borzage was working near the height of his powers, and his restrained handling of the actors and staging of the scenes make this comedy-drama far less dated than most of its contemporaries.... £7.49

 

Leap Year (1921)

Starring Roscoe "Fatty" Arbuckle.

Plot: A young man, heir to his misogynistic and millionaire uncle, and in love with a nurse, gets in trouble when he gives advice on marriage to his girlfriends.

Review: "Leap Year" was released shortly before the scandal that wrecked Roscoe Arbuckle's career. This film has a large production budget, some splendid location shots, and a witty script. "Leap Year" is excellent proof that Arbuckle was a major film star before his career came crashing down…..£7.49

 

Leaves From Satan’s Book (1921) aka Blade of Satan’s Bog

Directed by Carl Theodor Dreyer and starring Helge Nissen. Plot: Carl Theodor Dreyer's classic silent film tells the tale of Satan's (Helge Nissen) banishment from heaven. In order to return, Satan must perform acts of temptation upon humanity with the stipulation that for every soul who yields, 100 years will be added to his time on Earth. For every soul who resists, 1000 years will be commuted from his judgment. The film follows Satan's path through the ages as an instigator during times of conflict……£7.49

 

Legong: Dance of the Virgins (1935)

This excellent print has a runtime of 56 mins…..£7.49

 

Leopard Woman, The (1920)

Starring Louise Glaum House Peters and Noble Johnson. Directed by Wesley Ruggles.

Plot outline: An epic of passion, intrigue, and espionage set in the African Jungle….£7.49

 

Leopardo, El (1926)

Directed by Alredo Llorente and starring Manuel Alvarez, Oriana Camila, Augusto Cassasús and Marcelo Derval, this film has a runtime of 42 mins and the print quality is good to very good. This silent film, produced in Chile has Spanish intertitles with hardcoded English subtitles.

Plot: The Leopard is a “western” type film where the “cowboys” are replaced by huasos who defend themselves against the misdeeds of a bandit who assaults the region with his excesses.

Review: Straight-up western: lawmen, bandits, saloons, shoot-outs... and stuff... but everything transferred to rural Chile. A bit crude, but serviceable. Not bad for an emerging cinema….£7.49

 

Less Than The Dust (1915)

Starring Mary Pickford…..£7.49

 

Let Er Go Gallagher (1928)

Directed by Elmer Clifton and starring Frank Coghlan Jr, Harrison Ford, Elinor Fair, Wade Boteler, E.H.Calvert and Ivan Lebedeff, this film has a runtime of 59 mins and the print quality is good.

Plot: Young John Gallagher wants to be a newspaper reporter. One day he witnesses a murder committed by a mysterious man with only four fingers on one hand. He gives his account of the murder and a description of the killer to his hero, newsman Henry Callahan, resulting in his getting a job on the paper as an office boy. When circumstances arise that result in Callahan losing his job on the paper, he and Gallagher set out to discover the identity of the killer and help Callahan get his job back.

Review: Amusing trifle with jaunty Harrison Ford and intrepid Junior Coghlan capturing hissable Ivan Lebedeff for the glories of newspaperdom and a front page headline: this sort of thing used to infest pulp magazines until it was driven into the comic books, but the charm of the stars -- also including the aptly-named Elinor Fair as Harrison Ford's rarely-seen love interest -- keep this chugging along at a good clip, never taking itself the least bit seriously, and wonderful fare for a silent kiddie's matinee when you don't want to look at another horse….£7.49

 

Let’s Go (1923)

Starring Richard Talmadge……£7.49

 

Life For A Life, A aka Zhizn za zhizn (1916) **UPGRADE – Improved Print**

Directed by Yevgeny Bauer and starring Olga Rakhmanova, Lidiya Koreneva, Vera Kholodnaya and Vitold Polonsky, this film has a runtime of 67 mins and the print quality is good to very good.

Plot: Wealthy Mrs. Khromova has a natural daughter, Musya, and an adopted daughter, Nata. The merchant Zhurov is in love with Nata, and hopes to marry her, but she is non-committal. When Zhurov introduces his friend Prince Bartinsky to the family, both young women soon fall in love with the dashing but irresponsible prince. The prince is in love with Nata, but because of his enormous debts, he decides to marry Musya to get her dowry, and he allows Nata to marry Zhurov. All the while, Mrs. Khromova remains very uneasy, fearing that marriage is unlikely to cause the self-indulgent prince to change his ways.

Review: Yevgeni Bauer's "Silent Witnesses" (or "Mute Witnesses") (1914) had at the center of its story a love circle, as does this film, "A Life for a Life". The two films also share the same aesthetic, as is visible in much of Bauer's work: that is, the art of mise-en-scène. Supposedly, Bauer was attempting here to make a film that would compete with foreign spectacles. Perhaps, that is why the sets and production values of this film are especially lavish. A fantasy scene resembles an Italian epic, such as "Quo Vadis?" or "Cabiria", and columns are visible throughout the mansion. The melodrama is sensational, and the suspense is befitting of D.W. Griffith. Nonetheless, the picture still mostly resembles Bauer's own oeuvre.
The story will do. The acting isn't that remarkable, although Vera Kholodnaya, apparently a star in her day, is lovely and has a fairly expressive face. Her major gift, however, is the white of her eyes, which the camera can record from quite a distance. The sets are more interesting, their design and the way they are filled to create depth and space. In one scene, a curtain is used to unveil the truth. Bauer used curtains in other films for various reasons, including to reference theatre. Lighting effects also add to the mise-en-scène.
The mise-en-scène is probably better than that in most of Bauer's other works, at least in the lushness of set design, but what makes the most difference as to whether the film works on a whole is what supports the mise-en-scène. And, this is where Bauer has failed before. I don't care much for filmed plays and that's what one could call "Silent Witnesses". By that, I mean a traditional story and plot filmed by a stationary camera from long shots in long takes. In "A Life for a Life", there is some camera movement (slow inward and outward dolly shots, such as in the double wedding scene), and Bauer's usual cinematographer, Boris Savelyev, deserves credit, but it's mostly through editing that Bauer keeps the film moving.
Some of it is simple (but very important), such as cuts from establishing shots to medium shots and closer looks. There's some mild crosscutting between the five characters. But, Bauer also displays an expert knowledge of continuity editing; for example, when Nata stands up, angry with the prince, the film cuts from the closer look to a long shot. This is common practice nowadays, but not always in 1916, such as in those Italian spectacles, or Pathé film d'art photoplays. Some of the cuts might be too quick, but that's a minor error.
Bauer's most impressive editing in his films is the flow of shots that he sometimes attains. There is a hint of it here, such as in the passionate meeting between Nata and the Prince when her husband catches them. The editing--the way the shots flow into the next--creates the mood. "A Life for a Life" isn't the best film by Bauer that I've seen (see "After Death" (1915) and "The Dying Swan" (1917)), but it's how a film should be at the most basic level, and from there, Bauer fills it with, among other things, interesting mise-en-scène. ……£7.49

 

Life of Dante aka Dante e Beatrice (1913)

Directed by Mario Caserini and starring Oreste Grandi, Fernanda Negri Pouget, Giovanni Enrico Vidali and Cesare Gani Carini, this film has a runtime of 44 mins and the print quality is excellent. This is an Italian silent film with English intertitles and Italian subtitles….£7.49

 

Life of Moliere, The (1910)

Directed by Leonce Perret and written by Abel Gance and Louis Feuillade, this film has a runtime of 20 mins and the print quality is excellent. The film has French and English intertitles.

Storyline: We first see Moliere at work in his father's shop, when a boy. All the employees are busy at their appointed tasks, except the youthful playwright, who snatches time to re-read one of his earliest efforts. The door opens and the Italian comedian, Scaramouche, enters in quest of a particular style of chair. Moliere tenders his play for perusal; but, just as Scaramouche begins to be interested, Poquelin, the father of Moliere, comes in unexpectedly and the play is hastily thrown out of sight. Again the boy poet places it in the comedian's hand, and some clever work is done by Scaramouche, as he tries to read the manuscript without being detected by the stern upholsterer. The next scene shows Moliere at the Louvre palace, where he meets Louis XIV for the first time. Here we see the scorn of the courtiers for the actor-dramatist and the consideration shown for him by the King. This scene will be remembered for the delicate beauty of the interiors shown. Next we view the stately splendor of the festival at Versailles, where hundreds of courtiers, ladies in waiting and great nobles attend on Louis XIV. The beauty of the court costumes, which set the fashion for all the royal houses in Europe at that time, and the courtly air and demeanor of every individual in the royal pageant, have been faithfully reproduced. One cannot but marvel at the excellence of the training of this vast throng, every one of whom acts his or her part as if manor-born. We must take off our hats to this Gaumont producer. As Moliere comes into the scene, the acting of the King, the courtiers and of the great actor himself, is faultless. When the King places his arm around Moliere's shoulders and walks off with him, it is a delight to watch the faces of the surprised and jealous train of followers. And when next we see Louis seated at table with Moliere, serving him with his own hands, the cup of the courtiers is full. The scene showing the distraction of Moliere over the desertion of his wife is a pathetic picture and displays talented emotional acting. Then, when she appears before finally leaving him, and we watch the play of coquetry on her witching face and note her charm of manner and grace of deportment, we do not wonder at poor Moliere's abandonment to despair. The attempt of the faithful maid servant to arouse Moliere from his apathy and melancholia is a brilliant specimen of silent acting in both roles. The last appearance of Moliere, and his first in the role of Malade, is a fine depiction of the stage of the tennis court theater and of the French manner of acting a part in the seventeenth century. Then follow his sudden illness and death….£7.49

 

Life of Buffalo Bill, The (1912)

Starring William F.Cody and featuring Pearl White in a minor role, this film has a runtime of 33 mins and the print quality is OK to Good.

Plot: While on a vacation, an elderly Buffalo Bill dreams of his adventures as a young man when he scouted for the cavalry, fought Indians and captured outlaws….£7.49

 

Life of the Jews in Palestine (1913)

This film is now available with English intertitles and has a runtime of 61 mins…..£7.49

 

Life of The Party, The (1920)

Directed by Joseph Hanabery and starring Roscoe “Fatty” Arbuckle, Winifred Greenwood, Roscoe Karns, Julia Faye and Frank Campeau, this film has a runtime of 54 mins and the print quality is excellent.The film also features uncredited parts for William Boyd and Lucien Littlefield.

Plot: Milly Hollister, the secretary for the Better Babies League, consults Judge Voris for advice in her fight against the milk trust, unaware that he is in collusion with the trust. The judge refers Milly to attorney Algernon Leary, whom he regards as an incompetent buffoon. The corpulent attorney is so smitten with Milly that, although impoverished, he tears up her check and accepts the case for nothing. When the case comes to trial under Judge Voris, he makes Leary appear ridiculous and throws him out of court. Angered, Leary denounces Voris, now a mayoral candidate, as a tool of the trust, and with the backing of Milly's organization decides to run for mayor himself. To discredit his opponent, Voris hires a notorious woman called French Kate to compromise Leary. The scandal alienates Milly, who announces her betrothal to Voris. After a series of misadventures, Leary is vindicated and wins both Milly and the election. —AFI

Review: "He gave up his seat on the trolley to three women."
Yes, he was known as "Fatty" and his roles often played on or against his size and weight. But he really was an actor, even if he didn't always get a chance to prove it.
"Life of the Party," probably an unfortunate title considering the event that ended his acting career, gave him such a chance.
It was a sort-of comedy about politics and corruption -- which pretty much go together like "horse and carriage" and "love and marriage" -- but with lots of dramatic and sometimes adult situations.
Arbuckle was a large man but with lots of physical abilities, some even say "acrobatic." He used everything in "Life of the Party," including some serious facial expressions, to create quite believably a young would-be reformer lawyer -- would-be reformer because of the hoped-for love of the proverbial good woman.
None of his fellow cast members is known today except Roscoe Karns, an excellent character actor of especially the 1930s, but all were superbly worth watching….£7.49

 

Life Story of David Lloyd George, The (1918)

Directed Maurice Elvey….. £7.49

 

Life Story of John Lee, or The Man They Could No Hang, The (1921)

Directed by Arthur W.Sterry this film has a runtime of 81 mins and the print quality is decent…..£7.49

 

Lige Conley Short Films (1924-1928)

3 short comedies from this forgotten silent comedian:

Air Pockets (1924) with Earl Montgomery, Sunshine Hart and Olive Borden. Battling Kangaroo (1928) with Mildred June, Al Kaufman and Sterling Holloway. Fast and Furious (1924)

Review: A not-too bad short comedy that suffers from its lack of originality. Lige Conley was a film comedian who is so obscure today that only about a third of his credits appears in the Internet Movie Database. In this film he is a dead ringer for Martin Short in A SIMPLE WISH, but much better at taking the many pratfalls he performs in this movie. The director is Norman Taurog, near the beginning of his nearly fifty years of directing comedies, children's movies and light musicals…..£7.49

 

Light of Asia aka Prem Sanyas (1925)

This is an Indian/German co production starring Seeta Devi and Himansu Rai. Excellent print quality. Logo throughout…..£7.49

 

Light of Faith (1922)

Starring Lon Chaney this film has a runtime of 33 mins and the print quality is excellent…..£7.49

 

Lighthouse By The Sea, The (1924)

Starring Rin Tin Tin, William Collier Jr and Louise Fazenda.

Plot: A lighthouse keeper and his daughter are in trouble on two fronts--if the authorities find out he is going blind they will remove him, and a gang of liquor-smugglers is trying to destroy the lighthouse so they can land their illegal cargo on shore without being spotted….£7.49

 

Lighthouse Keeper’s Daughter, The (1918)

Directed by Georg af Klercker and starring Mary Johnson, Manne Gothson and Agnes Onergsson this film has a runtime of 63 mins and the print quality is very good. This Swedish silent film has additional English and French intertitles.

Plot: The wealthy Frank Helmer travels to the seafront to forget a bitter love story. There he meets Awa, the lighthouse keeper's daughter, whom he falls in love with…..£7.49

 

Lightnin’ (1925)

Starring Madge Bellamy and directed by John Ford. A very good film considering it’s not well enough known to have even a user comment on IMDB. The story takes place in a hotel, one side of which is in California and the other in Nevada. There’s a lot of screen time for the husband and wife playing the elderly couple running the hotel (Jay Hunt and Edythe Chapman) the husband being an alcoholic who hides bottles from his wife. She wants to sell the hotel, but thanks to a solicitor friend (also in love with the daughter, Madge Bellamy) who knows the man trying to buy the hotel is a crook the husband won’t agree to sell, which leads them to the divorce courts. The court scene in the last part of the film is very sentimental (typical John Ford) but superbly done. Definitely worth watching, if you get the chance!.......£7.49

 

Lightning Bryce (1919)

Starring Jack Hoxie, Ann Little and Yakima Canutt. This is a 15 chapter serial on 3 disks…..£9.99

 

Lightning Hutch (1926)

Starring Charles Hutchinson and Edith Thornton. This is a 10 chapter serial on 2 disks. Runtime 230 mins…..£9.99

 

Lightnin’ Jack (1924)

Starring Jack Perrin, Josephinr Hill and Jack Richardson this film has a runtime of 62 mins and the print quality is ok/good. Plot: Wanted for a murder he didn't commit, Lightnin' Jack travels to Arizona where he gets a job on the Manning ranch. Two men are out to get the Manning ranch and see their chance when Manning decides to use Lightnin's horse in the big race. They get Manning to bet his ranch and then kidnap Lightnin' so he won't be there to ride…..£7.49

 

Lights of Old Broadway, The (1925) **UPGRADE – Much improved print**

Directed by Monta Bell and starring Marion Davies, Conrad Nagel, Frank Currier, George K.Arthur and Julia Swayne Gordon, this film has a runtime of 72 mins and the print quality is excellent.The colour sequences in the film are also still intact.

Plot: Lights of Old Broadway (1925) is a drama film directed by Monta Bell, produced by William Randolph Hearst's Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. The film stars Marion Davies and Conrad Nagel, and is an adaptation of the play The Merry Wives of Gotham by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process. The play was produced on Broadway at Henry Miller's Theatre from January 16, 1924 to April 1924. Davies' part was played on the stage by actress Mary Ellis.

Review: "Lights of Old Broadway" (1925) stars Marion Davies and Conrad Nagel. Davies plays twins whose mother dies on the way over to America on a ship, and now the twins are separated by being given to two different families, one a very poor Irish immigrating family and the other a very wealthy American banking family. Based on the stage play "The Merry Wives of Gotham", this is told in rip-snorting style, with Davies as the Irish lassie now a star in an earthy burlesque (not strip!) joint in a tough section of NYC around 1870. She's also (as her twin) the respectable, slightly uppity daughter of banker Frank Currier and his wife Julia Swayne Gordon. Eventually the two meet, of course, but do they ever figure out who they are? Is it necessary that they do? It's the DNA and how it makes the girls behave when together that counts!
Conrad Nagel plays the son of banker Currier, and he falls madly in love with the poor squatter, the Irish lass Fely O'Tandy. Of course this starts a rumpus which drives the wheels of the film; that, and the fact that Currier wishes to drive off the squatters, all the Irish and other immigrant souls who've squatted on a certain piece of land. Of course, too, the O'Tandy's live on that land.
Wonderful bit of hokum! It's loads of fun watching Davies and her Irish father, Charles McHugh, battle their way through all of the plotting before them. This new release from Kino-Lorber is superb! Tinted, with at least one handschiegl scene and Technicolor in a couple of others, this is an absolutely beautiful restoration. Very highly recommended!
For the record, you'll love seeing Teddy Roosevelt as a young boy, Tom Edison trying to market his "sound machine", and all the references to lighting the streets of the downtown city with electric arc lamps as opposed to gas. The last figures prominently in the plot of the film. Tony Pastor and Weber and Fields are also integrated into the plot. If you look closely, you'll see Karl Dane, George K. Arthur, and even Mary Gordon in small or insignificant parts. Matthew Betz has one scene as the leader of a plot against those who would move the squatters from their property.…..£7.49

 

Lilac Time (1928)

Starring Colleen Moore and Gary Cooper. Review: Colleen Moore at the height of her stardom turned from flapper and comedy roles (like "Flaming Youth" and "Ella Cinders") to a great WW I romance, Lilac Time. Moore plays a French village girl who falls in love with a British flying ace (Gary Cooper). Not much happens, but it's a sweet romance and was a big hit in its day. This film also established Cooper as a star. Some OK dog fight footage helps enliven this war film, but it's the chemistry between the stars that makes it special. Good special effects for its time, and a socko ending with Moore being told Cooper has died of his wounds.... A real tear jerker but it works. Among the co-stars are Eugenie Besserer and Arthur Lake. Colleen Moore had a great face and is very expressive, allowing her to under act, a skill that made Mary Pickford and Lillian Gish tops stars…..£7.49

 

Lime Kiln Club Field Day (1913)

Directed by T.Hayes Hunter and Edwin Middleton and starring Bert Williams, Odessa Warren Gray, Wes Jenkins and Tom Brown, this film has a runtime of 62 mins and the print quality is excellent.

Footage for this film was found among 900 cans of film in the collection of 1939 Iris Barry, founder of the film department at the Museum of Modern Art, who acquired 900 cans of film from the Actinograph Corp. Bronx Biograph studio and laboratory facilities, which was closing its film vault and planning to destroy all the film. Printing of some footage took place in 1976. In October 2014, MOMA presented the unedited film with a lecture about the film's background and reasons for it remaining unfinished.

Plot: Modeled after a popular collection of stories known as "Brother Gardener's Lime Kiln Club," the plot features three suitors vying to win the hand of the local beauty.

Review: This is the oldest surviving American film with an all black cast. What does the title mean? According to Wikipedia - "The Lime-Kiln Club was a fictitious fraternal organization of African-Americans created by writer and journalist Charles Bertrand Lewis for the Detroit Free Press in the late 19th century." Apparently, the Detroit Free Press would print articles that were considered humorous in their day about this fictitious club, using African American dialect and featuring negative stereotypes.
In 1913 Biograph made this unfinished film with an all black cast featuring a black middle class holiday in a kind of amusement park. Bert Williams, a Caribbean American actor, is the star. He is shown on a date at the park with a lady played by Odessa Warren Grey. They are featured eating ice cream at the concession stand, then riding on a Merry Go Round and enjoying a lollipop while on the ride. The entire production, as restored by MOMA, runs about an hour. What I saw of it was under ten minutes in length.
There are no title cards in what I saw, but none are really necessary. Oddly enough, in every scene, you can see part of the African American cast dancing in the background. Williams wears blackface in this film and usually wore blackface in his vaudeville acts because the white public would not tolerate an actual black man in the lead of a movie or an act during the early 20th century. So by wearing blackface he paid tribute to the ruse, thus allowing the rest of the cast to take their roles unchallenged by anybody - both controversial and pragmatic.
This film actually does have one member of the cast who is white. There is a man walking about on the ride who then jumps off, smokes a cigarette, and generally just loiters about during the Merry Go Round scene, with his attention on the ride. He is probably supposed to be the ride's operator.
This film has been restored by MOMA and is in excellent condition. Youtube has a short introduction by a curator who explains a few things about the film, if you are interested. What I liked was seeing the beautiful clothes worn by everybody in the cast. They are even wearing gloves here! I wonder what they would say about midways today with people wearing shorts, flip flops, and old tee shirts to the fair?....£7.49

 

Limite (1931)

**Now with English intertitles!!**

Brazilian silent film directed by Mario Peixoto. Excellent print, logo throughout. Runtime: 116 mins…..£7.49

 

Linda (1929)

Starring Warner Baxter, Helen Foster and Noah Beery. Runtime: 75 mins……£7.49

 

Lion of the Moguls (1924) **UPGRADE – Better longer print**

Directed by Jean Epstein and starring Ivan Mozzhukin, this film has a runtime of 106 mins and the print quality is excellent. Please note that the film contains French only intertitles at the moment.

Plot: In the kingdom of the Moguls, Prince Roudghito-Sing, a young officer of the palace, falls in love with Zemgali, a captive princess held prisoner and coveted by the Grand Khan. Fleeing the country, he takes refuge in Paris and his presentability allows him to be hired as an actor by a French film company. The trouble is that Anna, the star of the movie, is attracted to him, which displeases banker Morel, the producer and Anna's lover

Review: I was beaming with joy throughout - one of my favorite filmmakers, a keen theorist at the time, directing one of the most interesting actors of the era, in a film that superficially seems to be about movie-like excess and indulgence, conceived on a lavish scale, - the Grand Khan, throngs in costumes outside the palace, cavalcades, danger and intrigue - but is actually about shatters of a fabricated story falling from the mind.
This interests me doubly, triply, because I've been keeping track of the Russian cinematic trail into Paris. Perhaps the single most important missing link in this endeavor is L'angoissant Aventure, actually filmed on the run from the Soviets over a period of months as the Ermolief troupe, the Russian cinematic aristocracy before Eisenstein, was forced to relocate to Paris, where it made acquiantances with the new generation coming into film. I have not been able to find that film, so if any reader has information I would be grateful to know.
Thankfully we have this; incidentally also about an aristocrat, a Mongol prince, forced into exile in France and bumping into a film production en route there. No wonder Mozzhukhin wrote the script. His next film would be for L'Herbier.
The joys in this are manifold. If you are one of those who labor under the impression that silent film was all about pantomime, theatric setups, simplified emotion and gross ahistoricity, you will have the chance to smirk at the exotic movie Tibet portrayed here and the melodrama of forbidden princely love, then have the rug pulled from under your feet as the film washes up in France and turns unerringly modern. The acting is subdued, the camera captures amazing views from a car in motion, a new geography unknown before the camera, the relationship between prospective lovers is ambiguous. Epstein beautifully renders the confrontation of the two cinematic worlds, as the furious Prince breaks up a scene of the woman being strongarmed by a villain on the ship, acting honorably only to be told they're shooting a movie so it's all make-believe.
More cool stuff ahead. So the Prince turns into an actor and starring in a movie as himself, presumably a wild adventure like the opening of the actual film. Is this the first film about a film being made in the history of the medium? If not, it's certainly the first intelligent one, and perhaps the only one until Sternberg four years later.
See what Epstein does. We know that the Prince was exiled and the throne usurped from him by an impostor, passing as the king in the king's place, so we have an actor on that end that looks like a movie but is supposed to be real calling the shots that produce the chain of events. Back in France, we are among actors, our character one, and spend time on the backlot of film sets.
So it's no surprise that the finale is an actual marvel of cinematic deception, inside an upscale hotel, where police are waiting for the Prince outside the glass facade with couples faintly seen dancing inside the lobby as though projected on a movie screen. There is a ball masque where confetti rains on our masked lovers, on par with anything Sternberg conceived and predating him by a good number of years.
More clues; a one-eyed pianist, the monocle on the banker that makes his one bulging eye look like a lens, the dreamy finale obviously a deathbed hallucination.
And something else. Music is of a high importance here, all through the film we can see violinists accompanying the production - but of course the film-within is naturally going to be silent, the score performed live in each theater as was customary. We can only presume they are playing to set the mood for the actors. Epstein superimposes at one point violins being fiddled over the lull of waves at sea.
So we have something invisible, in our case inaudible, that serves only to cultivate the space around the normally fabricated art. Say a melodrama filmed as a poem. This was Epstein's innovation, the music all in the roaming eye fiddling across the world....£7.49

 

Little American, The (1917)

Starring Mary Pickford. Directed by Cecil B.DeMille (uncredited).

Plot: German-American Karl and French-American Jules are in love with Angela when each returns to his country as war breaks out. She sails for France and while there is nearly raped by Karl as the Germans invade. She is later arrested for sending secret messages to Jules but Karl defends her. Both are saved from execution by the arrival of the French forces and Count Jules….£7.49

 

Little Annie Rooney (1925)

Directed by William Beaudine and starring Mary Pickford, William Haines, Vola Vale and Francis X Bushman, this film has a runtime of 96 mins and the print quality is excellent.

Plot: Tough slum girl (Mary Pickford) faces a crisis of the heart when the boy she loves (William Haines) is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. Mary rushes to the hospital and offers her blood for a life-saving transfusion, even though she thinks she'll die.

Review: Although the concept of a 32 year old woman portraying a 12 year old girl might be a stretch for today's sophisticated audiences,in the 1920's this was what the fans of Mary Pickford desired and expected from their favorite star. The opening scene displays Annie's tomboyish character as the apparent leader of a multi-ethnic street gang in comic "battle" with a rival group. The sight of a young girl being socked in the jaw and kicked may be a bit crude, but the scene is played in such an "Our Gang" fashion that it would be hard to take any of this seriously. Anyway, Annie can dish it out as well as take it. Once Annie returns to her tenement home and replaces her street duds with more girlish attire, it becomes more difficult (especially in close-ups) to imagine this beautiful young woman as a street urchin. However, for those who can muster the required suspension of disbelief, the rest of the movie has it's rewards. Vacillating between comedy (Annie's gang puts on a show) to sentiment (Annie plans a birthday surprise for her Irish policeman father) to tragedy (her father is killed on his birthday), the film gives Mary ample opportunity to display a range of emotions that would please her fans of any era.
Of course the requisite "happy ending" is eventually achieved; the evildoers are apprehended with the help of Annie's friends and rivals and she is last seen in the company of her pals riding down a busy thoroughfare on a sunny day. Which is a good a way as any for a Mary Pickford movie to end. . £7.49

 

Little Church Around The Corner (1923)

Starring Claire Windsor, Kenneth Harlan, Hobart Bosworth and Pauline Starke.

Plot: A wealthy minister in a mining town is something of an advocate for the miners' safety, but he doesn't really get involved in the issue. He is soon snapped out of that attitude, however, when his daughter is trapped underground in a mine explosion, along with the mine's owner….£7.49

 

Little Devil May Care aka The Devil in the Heart (1928)

**UPGRADE** Excellent print with English intertitles

Directed by Marcel L'Herbier and starring Betty Balfour this is an excellent print of the film with English intertitles and a runtime of 121 mins…..£7.49

 

Little Follies Girl, The aka Kleine Vom Variete, Die (1926)

Starring Ossi Oswalda. Runtime: 30 mins…..£7.49

 

Little Girl In A Big City, A (1923)

Directed by Burton L.King and starring Gladys Walton, Niles Welch, Mary Thurman and J.Barney Sherry, this film has a runtime of 54 mins and the print quality is good.

Plot: Small-town girl Mary Barry wins a beauty contest and goes to New York to meet D. V. Cortelyou, the magazine's publisher. Greatly taken by young girl, Cortelyou arranges for her to live with Dolly Griffith, a woman of questionable reputation who often aids him in his wicked schemes of blackmail and seduction. During a party, seemingly in Mary's honor, Cortelyou obtains some apparently, compromising evidence with which to blackmail Mrs. Young, the wife of a wealthy broker; Cortelyou then makes rough advances toward Mary, and one of his assistants, Jack McGuire, gives him a good beating. Threatened with blackmail, Mrs. Young turns in desperation to Jack for help. Jack and Mary attempt to trap Cortelyou in a net of his own making, but the blackmailer is too smart, outwitting Jack and abducting Mary. Cortelyou also kidnaps Mrs. Young, keeping her and Mary in a deserted house. Jack learns of their whereabouts and arrives with the police. Cortelyou is arrested, Mrs. Young is saved from the consequences of scandal, and Jack proposes to Mary.

Review: The story behind the story is more interesting than the one that appears on screen -- which is about how sweet small-town girl Gladys Walton comes to New York City for a magazine competition and excitement, only to fall prey to the big bad Wolf of Broadway. It's a carefully calculated piece of work, something to suggest the wickedness of the big city to appeal to the prurient interests, like a DeMille picture, and yet have it small town values win out in the end -- the United States only shifted to an urban population in the 1920s, so there was a lot of nostalgia for small town values. The direction by Burton King is decent, the acting is good and the production values are okay. It's pretty much what you expect.
The story behind the story is that Gladys Walton was Al Capone's girl friend -- cue Cloris Leachman in BLAZING SADDLES screaming "Yes! He was mein boyfriend! -- This got her knocked out of her contract with Universal Studios for violation of the morals clause. I don't think it was any great loss to the cinematic arts, but it does add a certain piquancy to the entire picture….£7.49

 

Little House in Kolomna, The

Starring Ivan Mozzhukin, Praskovya Maksimova and Sofya Goslavskaya. Runtime 30 mins…..£7.49

 

Little Lord Fauntleroy (1921) **UPGRADE – Improved Print **

Directed by Alfred E. Green and starring Mary Pickford, Claude Gillingwater, Joseph Dowling and James Marcus, this film has a runtime of 110 mins and the print quality is very good to excellent

Plot: Young Cedric Errol lives with his widowed mother in New York City. Cedric's late father was a son of the Earl of Dorincourt, but the Earl had objected strongly to his son's marriage, and thus has long been estranged from Cedric and his mother. But when the Earl's only surviving son dies in a riding accident, Cedric suddenly becomes Lord Fauntleroy, the Earl's heir. Cedric and his mother travel to England, where they must overcome the Earl's hard feelings about the past, as well as some unexpected obstacles.

Review: Just in itself, this is an entertaining version of the old-fashioned story of "Little Lord Fauntleroy", with good characterizations, settings, and story-telling. But what makes it particularly enjoyable is Mary Pickford's irresistible charm in a double role as young Cedric and as his mother.
Pickford's performance as the mother 'Dearest' is flawless, as she portrays her with elegance and grace, practically the image of the character that you get from the story. As Cedric, Pickford certainly gives the character a new look. There's nothing in the least to criticize about her performance, yet it's impossible not to be reminded of Pollyanna, Rebecca, or Pickford's other young girl roles. Even when she gives her character a rough-and-tumble look (at which she is very good), she is just too feminine and too attractive for it not to be noticeable. Yet her charm and buoyant energy make Cedric a thoroughly engaging character, if somewhat different from his literary image.
The rest of the production deserves plenty of credit as well. Several of the supporting characters are especially good. Claude Gillingwater strikes just the right note as the old Earl, and there is a trio of pleasant characters from Cedric's old neighborhood, who just have to come on screen to be good for a smile. The settings and photography are nicely done, never ostentatious but always providing an effective backdrop for the characters and story. Perhaps most impressive of all is the special effects wizardry that makes Pickford's dual performance work so well, frequently putting her two characters together without the slightest snag.
This is the kind of old-fashioned story that Pickford makes almost effortless, yet it's not hard to see a good number of strengths, both in her own performance and in the rest of the movie....£7.49

 

Little Mary Sunshine (1916)

Starring “Baby” Marie Osborne. Review: A precocious child brings a man and his estranged fiancée back together in this sentimental but extremely popular comedy-drama produced by the Balboa company of Long Beach, California. Five-year-old Baby Marie Osborne starred in the title-role, the motherless victim of a drunken father who stows away in the car of handsome Bob Daley (Henry King). Like Mary's father, young Daley is addicted to the devil brew, but his love for Little Mary Sunshine not only turns him into a teetotaler but reunites him with his estranged fiancée, Sylvia Stanford (Marguerite Nichols). This cliché-ridden drama gave Baby Marie Osborne -- or as she was known around the studio, the "Baby Grand" -- international fame. Balboa would produce nine additional Baby Marie Osborne films, the little girl becoming arguably the company's most valuable asset. Director/leading man Henry King, also benefitting from his association with the child star, went on to enjoy a legendary career as a director of (mainly) rural romances, chiefly for Fox and its successor, 20th Century Fox. ~ Hans J. Wollstein, All Movie Guide….£7.49

 

Little Match Girl, The (1928)

Starring Catherine Hessling and directed by Jean Renoir. Runtime 34 mins……£7.49

 

Little Minister, The (1921)

Starring Betty Compson and George Hackathorne this film was directed by Penrhyn Stanlaws and was based on the play of the same name by J.M.Barrie.

Plot: In 1840 Scotland, a young lass named Babbie revels in the country life and frolics with the locals, simple weavers whose livelihood is threatened by increasing industrialization. When Lord Rintoul attempts to rout the rebellious weavers, Babbie always manages to send word in time to prevent their being taken by surprise. Gavin, new minister to the town, falls in love with Babbie, and his relationship with the young gypsy almost costs him his position. But what Gavin and his parishioners do not know is that Babbie is actually Lady Babbie, ward of Lord Rintoul.

Review: Betty Compson stars as the Gypsy girl known as Babbie. She incurs the wrath of Lord Rintoul when it's suspected she has warned the riotous weavers that the police have been called. The local weavers are incensed that Rintoul has lowered their wages. The innocent new minister (George Hackathorne) gets involved after meeting Babbie by chance in the woods where he is writing his sermon. His infatuation with the wild beauty incurs the wrath of the local town council but he refuses to help entrap her. Will love prevail? Long thought lost, a print was found in a European archive and its intertitles have been translated into English. This was an important starring film for Betty Compson. It's interesting to see the role reversal with Compson playing the disguised hero and Hackathorne the young innocent. Compson is, as always, fascinating to watch….£7.49

 

Little Miss Hoover (1918)

Starring Marguerite Clark…..£7.49

 

Little Orphant Annie (1918)

Starring a very young Colleen Moore. Plot: Surrounded by a group of children poet, James Whitcomb Riley narrates the story of Little Orphant Annie, who loses her mother at an early age and is sent to an orphanage. Annie (Colleen Moore) charms the other children with her stories of goblins and elves…….£7.49

 

The Little Princess (1917)

Starring Mary Pickford. Plot: Little Sara Crewe is placed in a boarding school by her father when he goes off to war, but he does not understand that the headmistress is a cruel, spiteful woman who makes life miserable for Sara. Review: This simple but pleasant story is mostly worthwhile as a vehicle for Mary Pickford to play the kind of role that made her popular. Here, she is a young heiress trying to get used to her new surroundings at a school for girls, when a sudden tragedy changes everything. There isn't a lot to the plot, and so much of the screen time is simply used to show how charming young Sara (Pickford) can be. Pickford, of course, knows just how to make her character sympathetic. Most of the other characters are simply stock figures, except for a young Zasu Pitts, who gets a lot of screen time as Sara's friend. It's not one of Pickford's more memorable films, but it's a pleasant way to pass an hour…….£7.49

 

Little Robinson Crusoe (1924)

Directed by Edward F.Cline and starring Jackie Coogan, Daniel J.O’Brien, Will Walling and Tom Santschi, this film has a runtime of 73 mins and the print quality is very good to excellent.

Plot: A boy struggles to survive after being shipwrecked on a deserted island.

Review: Following his performance in Chaplin's 'The Kid', Jackie Coogan became an astonishingly popular silent-film star while still a very young child. Sadly, the many millions of dollars earned by young Jackie were squandered by his parents and his stepfather. Because of Coogan's misfortune, the guardians of modern child actors are now required to keep their children's earnings in trust for their adulthood.
'Little Robinson Crusoe' is one of Jackie's star vehicles. Young Mickey Hogan is the orphan cabin boy on a ship commanded by cruel Captain Dynes. Mickey's only friend is the ship's cat, named Man Friday. (The cat is black: clearly a racial reference.) A storm at sea (featuring some very bad miniatures, and unconvincing lightning) finds Mickey and Man Friday clinging to the wreckage. But a convenient island heaves into view.
The prospect of a small boy alone on a remote island could be frightening, but this movie plays for comedy. So we get some antics with monkeys hoying coconuts. There are also some African-looking natives, played in full racial stereotype and identified in the inter-titles as 'cannibals'.
The island next-door over is run by a white man: overseer Adolph Schmidt, accompanied by his pretty daughter Greta. The latter looks to be about 15 years old, about midway between Jackie's age and adulthood. When the native labourers decide to kill Schmidt, it's Jackie to the rescue.
There's a good performance by character actor Clarence Wilson, and a few clever sequences with animals. Most of the 'island' footage looks like it was filmed in Griffith Park. Jackie Coogan's starring films were geared for both adult and child audiences, so the boy hero here is never in any real danger. The racial stereotyping in this movie is very distasteful, but not any more so than in many other films from this period ... and quite a few films from this time are much worse with it. Child actor Coogan shows real comedic talent, and I'll rate this movie 7 out of 10. Pass the coconuts!....£7.49

 

Little Toys aka Xiao Wanyi (1933)

Directed by Sun Yu and starring Ruan Lingyu, this is a Chinese film with additional English intertitles. It has a runtime of 103 mins and the print quality is good.

Review: Small Toys tells the story of a gifted artisan toy maker, played by Ruan Lingyu, who crafts small toys from clay and bamboo that her husband then sells in a nearby town. Ye's daughter, after the story moves forward ten years to 1931, is played by Li Lili, another famous actress in both silent and sound films. It is perhaps not the best film of either of these great Chinese actresses, but like many films from the period, are important for historical reasons as well as for mere entertainment value.
SPOILERS AHEAD Many catastrophes then strike one after the other: Ye's husband dies and her little son disappears, warlords destroy the village, cheap modern toys begin to outsell the handmade works Ye and her equally gifted daughter create. The family move then to the outskirts of Shanghai and the story moves forward ten years. In 1932, the Japanese attack Shanghai and bring further disaster to the family. Finally mistaking New Year firecrackers for bombs, Ye, driven to madness, urges those around her to take up arms against the imaginary enemies. SPOILERS END
This movie was made after the Japanese invasion of Manchuria and these events play a pivotal role in the action as well as the spirit of the film, especially its frequent and undisguised nationalistic appeals, including one directly to the audience! As for the title, apart from indicating the nature of the main character's business, as the plot moves forward, it seems to suggest that the characters themselves are mere toys in the hands of Fate…..£7.49

 

Live Wire, The (1925)

Starring Johnny Hines. Runtime: 85 mins…..£7.49

 

Living Corpse, The (1929)

Starring Vsevolod Pudovkin and directed by Fyodor Otsep. Runtime: 120 mins……£7.49

 

Livingstone (1925)

A British silent film, written, directed by and starring M.A.Wetherell. The story of Samuel Livingstone and his work to stop slavery and educate the people of Africa. Beautifully photographed on location…..£7.49

 

The Lodger (1926) **UPGRADE – Improved longer print **

Directed by Alfred Hitchcock and starring Ivor Novello, Marie Ault, Arthur Chesney, June Tripp and Molcolm Keen, this film has a runtime of 89 mins and the print quality is very good to excellent.

Plot: A serial killer known as "The Avenger" is on the loose in London, murdering blonde women. A mysterious man arrives at the house of Mr. and Mrs. Bunting looking for a room to rent. The Bunting's daughter is a blonde model and is seeing one of the detectives assigned to the case. The detective becomes jealous of the lodger and begins to suspect he may be the avenger.

Trivia: The movie is based on the book of the same name. It was the first book to offer a solution to the Jack The Ripper killings. The book is supposedly based on an anecdote told to the painter Walter Sickert by the landlady when renting a room; she said that the previous tenant had been Jack the Ripper.

Review: In a quiet British town, a serial killer known as The Avenger is on the loose. Noted for his partiality for blondes, The Avenger has killed seven women-and shows no signs of stopping.
Ivor Novello, as the title character, is a quiet and mysterious man who appears at a boarding house soon after the seventh murder is committed. The landlady reluctantly allows him to stay in an upstairs room, but becomes suspicious when she notices the young man turning over all the portraits of blonde-haired women in his room. It doesn't help the landlady's suspicions when the man begins showing an interest in her daughter, Daisy (naturally, a blonde). Daisy's boyfriend, a detective, is assigned to The Avenger's case, and (almost immediately) becomes suspicious of the lodger as well.
Although The Lodger isn't Hitchcock's first feature, it most certainly is the film that launched his career as the "Master of Suspense." Noticeable Hitchcock trademarks are apparent here-namely the lodger's arrival and the ceiling/mirror scene.
Loosely based on the infamous serial killer Jack the Ripper, this silent thriller is fast-paced with exceptional performances. The score, at times, seems out of place, but Hitchcock fans will nonetheless enjoy this film... £7.49

 

Lonesome (1928)

Starring Glenn Tryon. Logo throughout. Very good print. Now available with English intertitles!! Runtime 64 mins…..£7.49

 

Long Pants (1927)

Starring Harry Langdon. Runtime: 58 mins…..£7.49

 

Lookout Girl, The (1928)

Starring Jacqueline Logan and Ian Keith. Runtime: 55 mins…..£7.49

 

Looping the Loop aka Die Todesschleife (1928)

Directed by Arthur Robison and starring Werner Krauss, Jenny Juno, Warwick Bond, Gina Manès, Sig Arno and Lydia Pochetina, this film has a runtime of 128 mins and the print quality is excellent. This is a German silent with German intertitles and hardcoded English subtitles.

Plot: Botto, a world-famous circus clown, is negative towards females, because a beautiful woman he once loved laughed at him for his job at the circus. André, a young artist, is Botto's opposite. He loves women. His current love is Hanna, who also works in the circus. That's when Botto meets Blanche, a middle-class girl.

Review: Recently restored, a story of a clown and how women can't love a men that laughs. Knowing this comes from late 1920s silent German cinema, with prominent actors, and takes place at the circus, you know the quality is going to be high. And while it's mainly a troubled love affair, the attention to visual detail and all the layers of emotion thrown into this romance, this is a very welcome restoration. A movie well deserving of a wider audience and one that fans of silent movies will love. I sure did!....£7.49

 

Lorna Doone (1922)

Starring Madge Bellamy.

Review: I've seen 4 versions of this story and this silent classic starring John Bowers and Madge Bellamy is by far the best, much more poignant than the modern A+E version! The action is great, the romantic characters obtain your sympathy immediately, and the cinematography for a 1922 film is outstanding. This must have been a real epic in its day... £7.49

 

Lorraine of the Lions (1925) **UPGRADE – Improved print**

Directed by Edward Sedgwick and starring Norman Kerry, Patsy Ruth Miller and Fred Humes, this film has a runtime of 68 mins and the print quality is good.

Plot: A ship carrying a touring circus troupe sinks at sea, and Lorraine, a young girl, is washed up on a deserted island. Her only companion is a gorilla from the circus, Bimi, who raises her as its own. Several years later Lorraine's wealthy grandfather, who has hired a psychic to help find her, is led by the psychic to Lorraine's island, and she and Bimi are taken back to "civiliation" in San Francisco, but things don't work out exactly as planned.

Review: Odd mix of adventure, the occult, and broad comedy make for unsure viewing. Patsy Ruth Miller stars as the heiress who is shipwrecked as a child while traveling with her parents and a circus. The child and many animals wash up on a jungle island where she grows to adulthood.
Meanwhile, he rich grandfather in San Francisco spends 12 years seeking news from a bunch of phony mediums about the fate of his granddaughter, until one day he meets a fellow occultist (Norman Kerry) who is able to break through the spirit world and find out where Lorraine is.
Meanwhile, the old man's distant relative and his shady lawyer are trying to bilk the old man and keep him from finding the proper heir so they can collect the estate.
They all set off in the old man's yacht and find the wild child, who is protected from harm by a loyal gorilla (Fred Humes). Kerry and Miller hit it off right away, and they all sail back to San Francisco with the gorilla.
The granddaughter is introduced to society but the gorilla goes berserk and causes pandemonium amongst the refined types.
Patsy Ruth Miller and Norman Kerry are wasted in cardboard roles, and the production values are pretty cheap. Fred Humes plays the gorilla and would soon embark on a minor career as a cowboy star at Universal.  …..£7.49

 

Lost Batallion (1919)

World War 1 battle reconstruction with the parts played by survivors from the actual battle. Runtime: 67 mins

 

Lost Treasure aka Tesouro Perdido (1927)

Directed by and starring Humberto Mauro and also featuring Lola Lys, Bruno Mauro, Alzir Arruda and Pascoal Ciodaro, this film has a runtime of 80 mins. The print quality of this film is Poor at worst and below par at best. I have added English subtitles to the Potuguese intertitles of this Brazilian silent for anyone who wishes to see it in spite of it being in bad shape.

Plot: A group of bandits look for a treasure map.

 

Lost World, The (1925)

Starring Wallace Beery and featuring, for the day some terrific special effects.

Plot: Explorer Professor Challenger is taking quite a beating in the London press thanks to his claim that living dinosaurs exist in the far reaches of the Amazon. Newspaper reporter Edward Malone learns that this claim originates from a diary given to him by fellow explorer Maple White's daughter, Paula. Malone's paper funds an expedition to rescue Maple White, who has been marooned at the top of a high plateau. Joined by renowned hunter John Roxton, and others, the group goes to South America, where they do indeed find a plateau inhabited by pre-historic creatures, one of which they even manage to bring back to London with them.... £5.99

 

Lost Express, The (1926)

Starring Helen Holmes.

Review: During the teens, Helen Holmes was a star of serials in the Pearl White/Perils of Pauline vein, having a series called THE HAZARDS OF HELEN. She made a number of "railroad action" films during her starring period, which ended in the late 1920's. When this film was made in 1926, we should remember that she would have been well-known to movie audiences and they would expect a railroad element and some exciting chases utilizing cars and trains as much as modern audiences would expect Fred Astaire to dance or Chuck Norris to engage in martial arts. This is a mature Ms. Holmes in THE LOST EXPRESS of 1926, so her physical stunts are kept to a minimum, although to satisfy the fans she does jump from a moving car onto a moving train. The exciting plot involves the theft of a rail car that is carrying the head of the railroad company, his wimpy assistant, and a Black porter. The railroad czar was planning on taking his grand daughter from his daughter, who had separated from her husband. These three are held hostage by some gun-toting crooks. At the same time, the daughter goes missing, the separated spouses argue and both try to take the girl, and the train is actually "lost" for a period. Miss Holmes plays a railroad company employee, working at a local station, who comes to the aid of the family and helps to find them, locate and take care of the grand child, and eventually capture the crooks. It's easy to see why these films were popular--this one provides action, an element of mystery to the plot, thrilling stunts (though the ones in this film don't compare with those in, say, a Richard Talmadge film), some light humor, and a dependable star who has a certain "average person" quality about her. Director J. P. McGowan, who directed Miss Holmes for many years and was her husband until around the time of this film, is well-known to me for his many low-budget westerns, as both actor and director. He was also executive secretary of the Screen Director's Guild for a period. There are sixteen films playing at my local multiplex that each cost tens of millions to make, if not more, and feature CGI effects and sound design as complex as a symphony, yet I'm sure that fifteen of the sixteen do not pack as much entertainment into them as this low-budget silent action-adventure does…..£7.49

 

Lottery Man, The (1916)

Starring Oliver Hardy, the film has a runtime of 65 mins and the print quality is good…..£7.49

 

Love (1927) **Improved Print**

Directed by Edmund Goulding and John Gilbert and starring Greta Garbo, John Gilbert, Geoge Fawcett, Emily Fitzroy, Brandon Hurst and Phillippe De Lacy, this film based on the Leo Tolstoy novel Anna Karenina, has a runtime of 82 mins and the print quality is very good to excellent.

Plot: In Czarist Russia, Anna Karenina falls in love with the dashing military officer Count Vronsky and abandons her husband and child to become Vronsky's mistress. Tragedy ensues when Vronsky chooses his military career over Anna

Review: Did you know Greta Garbo played Anna Karenina twice? I didn't know, but once I found out, I rented the silent version at once. It's not the greatest story out there, but it is a classic, and for some reason, I watch every version I can get my hands on.
This one has a different title, and for good reason: it's quite different. It's contemporary-and by that, of course, I mean it takes place in 1927-and the tragic tone is put on hold for the purpose of entertainment. Anna Karenina wears breezy dresses and a cloche hat while falling in love with Count Vronsky, a military hero. She's still married to an older, respectable man she doesn't love, and she still has a little boy she loves more than anything. Without spoiling anything, I'll just tell you to rent this version if you haven't been happy with the other versions you've seen. It's pretty different, and it will please a lot of people. I enjoyed it because it served as a perfect example of why silent movies were so popular. This movie doesn't feel like it's missing anything. It's a simple story of two people falling in love, and with only a few title cards, the entire story can be unfolded in silence. Dialogue simply isn't needed, which was why many audience members didn't see the need for talkies when they first came out. Many people nowadays don't know this, but it took a couple of years of gradually fading out the silent movies for people to completely abandon them and flock to the talkies. ….£7.49

 

Love And Burglars (1921)

Directed by Lau Lauritzen and starring Aage Bendixen, Osvald Helmuth, Axel Hultman and Harry Komdrup, this film has a runtime of 30 mins and the print quality is excellent. This Swedish silent film has English intertitles.

Plot: The merchant Blomberg is out in the countryside with his daughters and housekeeper when the idyll is suddenly shattered. The daughters head off to have fun with two young guys from Copenhagen who are on a road trip, and the vagabonds Pat and Patachon seize the chance to interfere for their own gain. The preserved material is the original Swedish version titled ‘Landsvägsriddare’, translated to ‘Tyvepak’ in Danish. The film was a huge economic success to the then Swedish owned production company Palladium. It is the first film, in which Pat and Patachon appear as a team, although not in their final constellation: As always, Pat is played by Carl Schenstrøm, whereas Patachon is embodied by Aage Bendixen instead of Harald Madsen. There is another ‘Tyvepak’ from 1915, which is directed by Lau Lauritzen Sr. as well. This film is a heavily revised version of the 1915-film….£7.49

 

Love And Duty (1931)

Starring Lingyu Ruan, the film has a runtime of 151 mins and English intertitles, The print quality is not great, but watchable…..£7.49

 

Love and Journalism aka Kärlek och journalistic (1916)

Directed by Mauritz Stiller, the film has a runtime of 40 mins and has English intertitles. The print quality is very good…..£7.49

 

Love ‘Em and Leave ‘Em (1926)

Starring Evelyn Brent and Louise Brooks.

Review: Well, it's a movie with Louise Brooks, so we're supposed to talk about Louise Brooks. She plays a major supporting role as Evelyn Brent's sister, lifting the money from the dance fund for a flyer on the horses and, like most of her roles in this period, sleepwalks through the part, at least until she gets to the dance, where she does a few seconds of a fast Charleston and smiles. Wham! Lord, the camera loves her. It's a masquerade party, so she's dressed like a showgirl, while all the other women wear long skirts. She always seems out of place in these roles. I spend my time looking at her and wondering why she isn't on a chorus line or some fat millionaire's arm. Ah, the joys of miscasting. Evelyn Brent is wonderful, but she is only the star of the movie and she is certainly photographed to her benefit. Still, the difference in acting styles is absolutely clear: Miss Brent knows how to show her character's emotions on the screen, while Louise Brooks comes off as no more than a party girl….£7.49

 

Love Everlasting (1913)

Starring Lyda Borelli this is an excellent print of the film with English intertitles and a runtime of 77 mins…..£7.49

 

Love Expert, The (1920)

Starring Constance Talmadge and Natalie Talmadge……£7.49

 

Love Flower, The (1920) **UPGRADE – Improved print**

Directed by DW Griffith and starring Richard Barthelmess, Carol Dempster, George MacQuarrie, Anders Randolf, Florence Short and Crauford Kent, this film has a runtime of 104 mins and the print quality is excellent.

Plot: A man murders his wife's lovers, escapes with his daughter to the South Pacific. A detective pursues him, joined by a young man who eventually falls in love with the daughter. Review: "The Love Flower" kept me on the edge of my seat with suspense. What a great film! Miss Dempster was very enigmatic and strangely intoxicating as the young daughter who is willing to kill the police detective who is after her father for murder. They hide out on a South Sea island for years, but the detective pursues them to the end.

Review: "The Love Flower" kept me on the edge of my seat with suspense. What a great film! Miss Dempster was very enigmatic and strangely intoxicating as the young daughter who is willing to kill the police detective who is after her father for murder. They hide out on a South Sea island for years, but the detective pursues them to the end.
Richard Barthelmess was a delight to watch as the young sailor who is tricked into bringing the detective to the island. Richard's face was literally gorgeous. No wonder Griffith preferred him over other male actors in his stock company. Griffith's personal attraction to Miss Dempster was also apparent, especially in the beach and water scenes with her scantily dressed outfits revealing ... well, I'll leave you guessing there.
If you are a fan of D.W. Griffith's work don't miss this film! It is his most contemporary and one of his most fascinating movie projects. ...£7.49

 

Love Gamble, The (1925)

Starring Lilian Rich. Very good print. Runtime 74 mins…..£7.49

 

Love Light, The (1921)

Starring Mary Pickford.

Plot: Angela maintains a coastal lighthouse in Italy, where she awaits the return of her brothers from the war. She learns they are casualties and takes solace in the arms of an American sailor washed ashore. However, the sailor turns out to be a German spy, and she is torn between her love for him and her realization that he is part of the enemy force that has destroyed her family.

Review: With her love off to war, a young woman operates the lighthouse near her home on the coast of Italy. One day, finding an American seaman washed up on the shore, she takes him home & nurses him. Romance blossoms and they marry. But little does she know that THE LOVE LIGHT she beams to him from atop her tower every midnight will have tragic consequences she cannot begin to imagine... While traveling in Italy with her husband, Frances Marion met a woman whose story during The Great War was so compelling that she knew at once it would make a great movie. Marion was a screenwriter on the ascendant and her best friend was motion picture star Mary Pickford. Little Mary, who liked the idea, not only had Frances write it, but direct the film as well. It turned out beautifully, with Pickford - in a daring departure from her little girl roles - giving one of her best performances. Her emotional display at the multitude of troubles thrown her way never wallows into histrionics. One need only look at this film to be assured, if there was ever any doubt, that America's Sweetheart was an excellent artist, as well as a huge celebrity....£7.49

 

Love Me And The World is Mine (1927)**Danish only intertitles**

Directed by Ewald Andre DuPont and starring Mary Philbin, Norman Kerry, Betty Compson and Henry B.Walthall, this film has a runtime of 81 mins and the print quality is very good to excellent.

The film has Danish only intertitles.

Plot: In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men. The first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.

Review: Last Kerry-Philbin team-up, clearly one where Universal saw potential and spent big money (by their standards). And then Dupont spent some more, but that’s another story. Yet another example of the absolute beauty of silent film, visual storytelling, acting through expression. Give me these all day. Plot-wise, not much- Philbin ends up in a pity relationship with Walthall but still loves Norm. But it looks so gorgeous as it unfolds. Bonus: Betty Compson!....£7.49

 

Love Never Dies (1921)

Starring Madge Bellamy.

Plot: John and Tilly's happy marriage is ruined when Tilly's father finds out about the scandalous past of John's mother. John, unaware of his father-in-law's meddling, thinks Tilly has left him, and he leaves town. Her father leads Tilly to believe that John has died in an accident, and he pushes her to marry someone else.

Review: This may not be one of the best silent films ever made, nor is it one of the best made by the great King Vidor, but it is still vastly entertaining and visually exciting. Lloyd Hughes is the hero, and he's an amazingly beautiful man. He's the son of a prostitute and hides this from his girlfriend, the sweet Madge Bellamy. But after they get married... 7.49

 

The Love of Jeanne Ney (1927)

Excellent German silent directed by GW Pabst.

Plot: In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she works for her uncle. Soon after, her lover Andreas is in France to organize the sailors in Toulon. So also is a thief, traitor, and libertine, Khalibiev, who wants to seduce Jeanne. His schemes, Jeanne and Andreas's naivete, and a lost diamond bring the lovers to the brink of tragedy... £7.49

 

Love of Maria Bonde, The (1918) **UPGRADE – Now With English Subtitles**

Directed by Emmerich Hanus and starring Martha Novelly, this film has a runtime of 48 mins and boasts a very good tinted print. The film has German intertitles with English subtitles.

Plot: Maria Bonde is the object of affection of baron Fedja Bronikow from Sofia, Bulgaria. However, Maria is actually in love with her sister’s fiancé, Martin Steinert, who reciprocates her feelings. Her sister Gunne is a circus rider like her fiancé and very ill. After a breakdown, Maria performs instead of her sister with Martin at the circus Panelli. He confesses his love to her and they elope. When Gunne discovers this betrayal, she dies brokenhearted. After giving birth to her first child, Maria is in bad health. When her younger sister Anella begins to practice the circus act with Martin, she worries that history will repeat itself...£7.49

 

The Love of Sunya (1927)

Starring Gloria Swanson.

Plot: In ancient Egypt, an evil priest drove a pure maiden to suicide. In today's reincarnation, to free himself the priest must find and help the maiden...now a young American singing student, Sunya Ashling, who is torn between pursuing a career in European opera, going to South America with fiancée Paul, or saving her father from financial ruin by marrying wealthy Robert Goring. The ancient priest, reincarnated as a gypsy vagabond, grants her visions of her future life if she should follow each of the three roads. Does each have a fatal drawback?...£7.49

 

Love One Another aka Gezeichneten, Die (1922) **UPGRADE** Now with English intertitles

Directed by Carl Dreyer. This is an excellent print of the film and is now available with English intertitles and has a runtime of 96 mins

Plot: Based on the 1918 novel 'Elsker hverandre' by Aage Madelung, the film follows various lives, one of which is Jewish girl Hanne Liebe, as she grows up, and experiences the pains of living as a Jew in Russia, leading to a revolution. …..£7.49

 

Love Or Justice? (1917)

Directed by Walter Edwards, written by Lambert Hillyer and starring Louise Glaum, Charles Gunn, Jack Richardson and J.Barney Sherry, this film has a runtime of 64 mins and the print quality is excellent.

Plot: Promising young lawyer Jack Dunn,, becomes a victim of drugs and loses his standing in the legal world. He passes his idle hours in the slums where he meets Nan Bishop, an underworld figure. Nan's influence helps to make a man out of Dunn and with her help he breaks his dependence on drugs and is successful in obtaining a position as a criminal lawyer. Years later, they meet again in a courtroom. Nan has been falsely accused of murder and Dunn is the prosecuting attorney. Learning that Dunn's professional future depends on his winning the case, Nan pleads guilty, but, at the last minute, the real criminal is discovered and Nan is cleared of the crime. She then accepts Dunn's offer of marriage and together they look forward to a happy future.

Review: Louise Glaum is a tough egg, a leading light of the underworld. Charles Gunn -- he would die the following year of the Spanish Influenza -- is a lawyer, brought low by drug addiction. Glaum calls him a weakling, and helps him get the monkey off his back. He offers her marriage, but she's contemptuous of society's norms, so it's off to respectable society and the District Attorney's office. Yet Miss Glaum realizes she has changed too, so she quits the rackets, gets a respectable job, and pushes away her old associates. One of them decides to frame her, and in the attempt, he winds up dead... and Gunn is ordered to prosecute her, and get a conviction, lest the entire office lose their jobs.
It's a potboiler from Thomas Ince Productions, with a script by Lambert Hillyer - he would turn director the following month -- and there's a lot of high-flown language in the titles, and hand-waving as to procedure. Still, there's a nice perverse set of motives here: Gunn believes her innocent, and she knows he'll lose his job.... so who will look out for their own interests?....£7.49

 

Love Story of Ann ThomasThe Maid of Cefn Ydfa, The (1914)

Directed by William Haggar and starring Will Fyffe, Will Haggar Jr and Jenny Haggar, this film has a runtime of 34 mins and the print quality is very good.

Review: This film was made in 1912/13 by William Haggar and his son Will Haggar Junior, using Will Junior's theatrical company, including Will's wife, Jenny Lindon, as Ann Thomas (the Maid), Will Junior as her lover, Will Hopkins, Will Fyffe, the future Music Hall star, as Lewis Bach, and Jennie Haggar as Ann's maid Gwenny. The film was made entirely out of doors, in locations at and near Pontardulais. It was given its first performance in Aberdare in December 1914. It is an excellent record of an Edwardian theatrical company performing its party piece, in silence, but taking advantage of the extra dimension of film. Last reviewed in Cardiff in 1938, the film was put away in a family cupboard, rediscovered in 1984, and conserved. 38 minutes out of its original 50 minutes survives.

Info: The traditional Welsh folk tale of the thwarted romance between a thatcher and an heiress in 17th-century Cefn Ydfa is lovingly brought to the screen, with a few twists to the familiar tale. When Ann meets Will she decides he's the man for her, but a local gentleman also has his eye on Ann, stooping to subterfuge and villainy in an effort to win her hand. Will true love win the day?This film was long believed to have been lost when an incomplete nitrate print in poor condition was discovered in 1984. The print was found in the stairwell of a house near Swansea and was donated to the BFI National Archive by a descendant of the filmmaker's family. Since then it has undergone extensive repair work, and has been preserved on safety stock for future generations….£7.49

 

Love's Crucible aka Vem Dömer (1922)

Directed by Victor Sjostrom and starring Jenny Hasselqvist, Ivan Hedqvist, Tore Svennberg and Gosta Ekman, this film has a runtime of 87 mins and the print quality is good to very good. This is a Swedish silent with Swedish intertitles and English subtitles.

Review: Vem Dömer was Victor Sjöström’s follow up to The Phantom Carriage and was a lavish production premiered on New Year’s Day in 1922 accompanied by the Red Kvarn Orchestra and a publicity campaign including an illustrated book of Hjalmar Bergman’s story. Sjöström co-wrote the screenplay and whilst this tale of illicit period romance may appear atypical it has much in common with its predecessor and the director’s earlier work. Just as characters in There Was a Man and The Outlaw and His Wife must endure extremes in order to survive, so must Jenny Hasselqvist’s Ursula overcome not just a physical test but also a moral one:  she has to judge herself.

I’ve raved about Jenny Hassselqvist before and she gives a great performance here with her ballet dancer’s physicality under-pining an energetic focus that draws the viewer in like few others. From the first moments when she is shown praying alone in the cathedral to her stunning appearance in silhouette mounting the wooden steps for her ordeal by fire, she holds herself so well and is able to convey so much just through posture – it’s remarkable. Then for her close ups, as she wrestles with the guilt of love and betrayal, she conveys a very modern, Huppert-esque intensity….

The film is in dark contrast to Sjöström’s al fresco classics and is largely studio-based with the majority of exterior shots taking place at night. This puts the focus firmly on the main players… it’s dark and claustrophobic and you can count the smiles almost on one face. Vem Dömer is gripping viewing. It’s an ostensibly Christian tale of faith in truth and love yet it’s also a meditation on self-doubt and guilt: redemption comes either through a kind of miracle or the realisation of truth… the choice is yours….£7.49

 

Loves of Carmen, The (1927)

Starring Dolores Del Rio and Victor McLaglen……£7.49

 

Love’s Prisoner (1919)

Starring Olive Thomas, this film has a runtime of 46 mins and the print quality is scratchy but ok…..£7.49

 

Lowland Cinderella, A (1920)

Starring Joan Morgan. Excellent print quality. Runtime: 63 mins

 

Lucky Boy (1928)

Starring George Jessel and Gwen Lee. Excellent print clarity but will some mottling in places. This is a part silent film with quite a lot of dialogue and songs. Runtime: 78 mins…..£7.49

 

Lucky Devil, The (1925)

Directed by Frank Tuttle and starring Richard Dix, Esther Ralston, Edna May Oliver and Thomas Findley, this film has a runtime of 53 mins and the print quality is good to very good.

Review: I watched a thoroughly enjoyable Richard Dix silent today, "The Lucky Devil" (1925), with Esther Ralston and Edna May Oliver. If one looks at the story of the rise of Dix in pictures, it comes with the death of Wallace Reid, the most popular of all matinée idols of the teens and first couple of years of the twenties. Reid's forte was making fast moving shows usually about fast moving automobiles. These were good comedies usually with a good dollop of drama and adventure and some thrills thrown in for good measure. Dix took over the reins of such films and made several, meanwhile expanding his repertoire to include such silent masterpieces as "The Ten Commandments" (1923), directed by Cecil B. De Mille and "The Vanishing American" (1925). "The Lucky Devil" could almost be a follow-up to Reid's "Excuse My Dust" (1920).
Good show with all the ingredients of gentle comedy mixed with some rough-housing, besides. Dix, a displayer in a department store, enters a raffle and wins the so-called 'hoodoo' bad-luck automobile formerly owned by the store owner's son, a soul seemingly always in trouble with cops and women. Well, suddenly Dix begins to have the same problem, only he also gets mixed up in the life of Esther Ralston and her Aunt Edna May Oliver. Hilarious misunderstandings and undertakings become the fodder for the day! Wonderful show that moves like greased lightning and doesn't let up for a moment from beginning to end! Recommended. …..£7.49

 

Lucky Lady, The (1926)

Starring Greta Nissen and Lionel Barrymore…..£7.49

 

Lucky Star (1929)

Starring Janet Gaynor and Charles Farrell, directed by Frank Borzage.

Review: This is one of the most perfectly crafted of all silent masterpieces, and a further evidence that sound was unnecessary to produce such poignant and moving images. I was amazed how extremely haunting and luminous this movie was. There is no greater degree of luminosity; each scene is a lush, radiant extension of a romantic painting. The brief war scenes alone surpass those in "7th Heaven" and the ethereal romantic moments between Charles Farrell and Janet Gaynor match theirs in "Street Angel". I love that scene in which Farrel tells Gaynor why he's on the wheelchair. The photography and story may owe a lot to Murnau's epochal "Sunrise" but most of the material is Borzage's own....£7.49

 

Lucretia Lombard (1923)

Starring Norma Shearer and Monte Blue……£7.49

 

Lucrezia Borgia (1922)

Starring Conrad Veidt. Very good print. Runtime 129 mins…..£7.49

 

Ludwig II, King of Bavaria (1930)

Directed by William Dieterle. Runtime: 111 mins…..£7.49

 

Lure of Crooning Water, The (1920)

This British silent film starring Guy Newall and Ivy Duke has a runtime of 104 mins and the print quality is good to very good. Plot: A London actress collapses on stage and is sent by her doctor to stay in the country with a farmer and his wife. But when she starts an affair with the farmer, the idyllic life at "Crooning Water" is threatened with tragedy

Review: Ivy Duke is a minx! Here she plays an actress who is stressing out due to over-work. She's sent on a rest-cure by her doting doctor, and arrives at Crooning Water (a farm) to find it stuffed with Arts and Crafts furniture - all ladder backed chairs with rush seats and fireside settles. Guy Newall is also there, looking (as he always does) like he's swallowed a couple of lemons. Ivy takes one look at his Jodhpers, though, and you know there's going to be trouble.
She ingratiates herself with his wife and teaches his four-year-old how to smoke a cigarette, but she only ever treats Guy with contempt. As a result he is putty in her hands, and during a most effective storm scene (complete with animated lightning), they get it on. The wife knows something's up as soon as she sees Ivy emerging from his inner sanctum...
Ivy and Guy, as ever, are a winning combo and some of their love scenes are startlingly erotic - with much stroking of his manly forearms.
There's an interesting flashback scene where she's plucked out of a milliner's shop by a theatrical agent and put on the stage, which apparently is an explanation of her shenanigans with Guy. As the doctor tells her "You'd flirt with the shadows of men outside a tobacconist's window". She has to give him up in the end, of course, he being wed and all, but there are plenty of other men sniffing around...
If you thought British films were lacking in emotion then think again……£7.49

 

Lure of Drink, The (1915)

Directed by and starring A.E.Coleby and also starring Blanche Forsythe, Roy Travers and Maud Yates, this British silent film has a runtime of 37 mins and the print quality is very good.

Review: Early American film-making quickly set its market during the nickelodeon years on the lower classes, the people who could not afford a dollar for a seat in a legitimate theater, the foreigner who could not follow long swathes of dialogue, but would understand pantomime and poverty. British film-making, in contrast, strove for respectability. When it directed its efforts at the lower classes, it often took a lecturing tone. As a result, Robert Paul made the old Magic Lantern abolitionist show, BUY YOUR OWN CHERRIES into a movie in 1904.
By the early 1910s, both national markets expanded for greater profits, but remnants of earlier attitudes remained, and this one definitely offers that message, with its posters on the wall proclaiming that Britain needs volunteers for the War and the ruinous effect on home and health of drink. Travers definitely overacts in the throes of delirium tremens, as does Blanche Forsythe. As Goldwyn was said to have said, if you want to send a message, use Western Union, and this four-reel story lays it on good and hard….£7.49

 

Lure of the Circus (1918)

Starring Eddie Pollo, this film has a runtime of 51 mins and the print quality is ok…..£7.49

 

Lure of The Range (1924)

Starring Dick Hatton…..£7.49

 

Luther (1928)

With Hans Kyser & Eugen Klopfer. Excellent print. Narration. Runtime: 75 mins…..£7.49

 

Ready to buy? Email your choices to silentfilmdvd@gmail.com and we will send you a paypal invoice. We also accept payment by cheque within the UK.

 

Prices including p&p are as follows:

 

Within UK  

1 disk £7.49

3 disks £20.00

5 disks £30.00

10 disks £50.00

10 + disks  £5.00 per disk

 

Outside UK  

1 disk £8.99

3 disks £20.00

5 disks £30.00

10 disks £50.00

10+ disks £5.00 per disk

 

File transfer

£5.00 per title

 

If you want more information on any of the titles then please email us, we'll be happy to help.

 

Please remember if you need a film to be NTSC to make this clear when ordering

 

Marion Davies

Silent Films L

Clara Kimball Young

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Email: silentfilmdvd@gmail.com

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